http://ojs.mediamusic-journal.com/index.php/Mediamusic/issue/feedElectronic scientific magazine "Mediamusic"2022-09-27T19:36:35+00:00Editorial staff of ESM "Mediamusic"editorial@mediamusic-journal.comOpen Journal Systems<p><span><em>Mediamusic</em> is a scholarly e-journal </span>of music and sound in electronic mass media, film, Internet, and multimedia.</p>http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/70ASMR ART2022-09-27T19:36:33+00:00Alexander V. Chernyshoveditorial@mediamusic-journal.com<p>The author makes an attempt to determine the communicative and aesthetic features of an immersive online fiction sound cinematography associated with ASMR-stimulation. On the example of videos, primarily hosted by YouTube, the researcher distinguishes the categories of "personal media broadcasting", "virtual intimacy" and "brain stimulation", performed mainly by sound triggers. The author focuses on the connection between direct physical pleasure and aesthetic pleasure, directed to figurative interpretations of visual and sound triggers. At the same time, based on the diegetic analysis of sound, the author proposes a new artistic and communicative subcategory "antidiegetic sounds".</p><p><a href="http://mediamusic-journal.com/Issues/13_1.html">http://mediamusic-journal.com/Issues/13_1.html</a></p>2022-09-27T19:36:33+00:00Copyright (c) 2022 Electronic scientific magazine "Mediamusic"http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/71CHARLES PERRAULT'S FAIRY TALE "PUSS IN BOOTS" IN MUSICAL INTERPRETATION ON THE RUSSIAN SCREEN2022-09-27T19:36:33+00:00Andrey M. Lesovichenkolecovichenko50@mail.ru<p>The article is devoted to the embodiment of one of the popular Western European fairy tale plots on the Russian musical screen. The theme associated with the image of Puss in Boots became especially widespread in the 20th century. It is significant that many incarnations of this fairy tale appeared in literature, music, fine arts and screen arts in Russia. According to the author, it is one of the brightest artistic expressions of Russian Westernism. The first major work was the children's opera composed by César Cui (1913). The libretto was written by Marina Pol'. After this opus, already in the Soviet and post-Soviet times, there are many literary works, cartoons, feature films, operas and musical things for children's performance, professional theatrical productions, drawings and sculptures were created. In this paper, first of all, the author explores the especially significant films, cartoons, and video recordings of musical performances.</p><p><a href="http://mediamusic-journal.com/Issues/13_2.html">http://mediamusic-journal.com/Issues/13_2.html</a></p>2022-09-27T19:36:33+00:00Copyright (c) 2022 Electronic scientific magazine "Mediamusic"http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/72WHO NEEDS THIS RADIO TODAY?2022-09-27T19:36:33+00:00Maxim Byskoeditorial@mediamusic-journal.com<p>The author makes an attempt to consider the reasons for the cultural depreciation of Russian broadcasting, and highlights, in his opinion, the objective prerequisites for reducing consumer interest in audio information. Among such prerequisites, the author sees: strict censorship, the commercial imbalance of modern radio broadcasting, the preponderance of the visualization in the information and digital space, an emphasis on horizontal communications, a sharp technical change in the specializations of media production, the scientific and pedagogical collapse of the media industry and media education. The author proposes his own concept of linear and non-linear audio broadcasting in the context of total digitalization.</p><p><a href="http://mediamusic-journal.com/Issues/13_3.html">http://mediamusic-journal.com/Issues/13_3.html</a></p>2022-09-27T19:36:33+00:00Copyright (c) 2022 Electronic scientific magazine "Mediamusic"http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/73TRADITIONAL MUSICAL CULTURE OF THE CELESTIAL EMPIRE IN THE CONTEXT OF ANIMATION AND CINEMATOGRAPH : THE EXPERIENCE OF COMPREHENSION2022-09-27T19:36:33+00:00Zizhan Chenchziran@126.com<p>The author of the article focuses on traditional musical instruments that appear in such screen arts as animation and cinema. We are talking about a number of musical instruments, including xiao, qin, pipa, dizi. Each of them plays a key role in creative projects based on the dialogue between Russia and China. This refers to the animated films The Brothers Liu (1953) and The Brothers Hulu (1986), which are analyzed against the backdrop of the Russian folk tale Seven Simeons, as well as the feature film The Magic portrait created in 1997 by Russian-Chinese filmmakers. Noting in the animation the presence of a close relationship between number and sound, which plays a special role in traditional Chinese culture, the author also focuses on the correspondence of the name of the main character of the film to the name of musical instruments, which becomes decisive for the girl's actions. In addition, a detailed study of the storyline of the The Magic Portrait reveals a parallel with the opera The Magic Flute by Mozart and the novel Journey to the Land of the East by Hesse. The points of contact updated by the author testify to the widest cultural interchange, during which each of the countries participating in the desired dialogue is enriched, when local culture acts as an integral part of the world artistic heritage.</p><p><a href="http://mediamusic-journal.com/Issues/13_4.html">http://mediamusic-journal.com/Issues/13_4.html</a></p>2022-09-27T19:36:33+00:00Copyright (c) 2022 Electronic scientific magazine "Mediamusic"http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/74ART VIDEO "BOLERO" 2020 : THE CONCEPT OF OVERCOMING2022-09-27T19:36:34+00:00Eleonora V. Vybyvanetselavib@mail.ru<p>Any art work lives if it is perceived by readers, viewers, listeners, performers-interpreters and researchers. The emerging public resonance is comprehended in aesthetics in the context of the social functions of art. The proposed analysis of the one-act video ballet "Bolero" 2020 performed by Sergei Polunin (as a part of an information and educational project of moral support through the means of art for thousands of patients with a multiple sclerosis) requires precisely this aspect of consideration. The originality of the conceptual solution of this art video is established by comparing with other visual versions of reading the music of Maurice Ravel. An analysis of its synthetic text (background, makeup, costume, plastic, symbolic pas) allows us to conclude that the visual comprehensibility of the artistic language of the ballet, in which recognizes the artistically refined image of the signs of the disease, the enormous positive charge of feelings caused by its perception, and the practical therapeutic utility provide the project with effectiveness and value in artistic and social terms.</p><p><a href="http://mediamusic-journal.com/Issues/13_5.html">http://mediamusic-journal.com/Issues/13_5.html</a></p>2022-09-27T19:36:34+00:00Copyright (c) 2022 Electronic scientific magazine "Mediamusic"http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/75CHILDREN'S THEME IN THE PIANO WORKS OF CHINESE COMPOSERS2022-09-27T19:36:34+00:00Hongyu Panpanhongyu@mail.ru<p>The author of the article focuses on the children's theme in the work of Chinese composers, which is gaining more and more popularity in piano performance, also due to the fact that music addressed to a children's audience is an integral part of Chinese animation, which is conquering the world space now. The author draws attention to the figurative spheres characteristic of children's music, including the natural world, the world of society, children's characters and moods, the world of philosophy and folklore, as well as the specifics of the compositional forms that prevail today, the laconicism of which is related to Chinese miniature directly. The latter one is the expression of consciousness through an art form, whether it be carving a fruit stone, painting on glass, or drawing on rice paper.</p><p><a href="http://mediamusic-journal.com/Issues/13_6.html">http://mediamusic-journal.com/Issues/13_6.html</a></p>2022-09-27T19:36:34+00:00Copyright (c) 2022 Electronic scientific magazine "Mediamusic"