2024-03-29T07:29:04Z
http://ojs.mediamusic-journal.com/index.php/Mediamusic/oai
oai:ojs.ojs.mediamusic-journal.com:article/5
2019-02-06T07:47:50Z
Mediamusic:mn
MUSICAL-COMPUTER TECHNOLOGY: THE LABORATORY
Gorbunova, Irina B.
pedagogy
music; computer; technology; informatics; education; methods; science; pedagogy
The article deals with musically-computer technology in the educational system on example of the Educational and Methodical Laboratory Music Computer Technologies at the Herzen State Pedagogical University of Russia, St. Petersburg. Interdisciplinary field of professional activities relates to the creation and application of specialized music software and hardware tools and the knowledges in music and informatics. A realization of the concept of musical-computer education in preparing music teachers is through basic educational programs of vocational training, supplementary education, professional development of teachers and methodical support via Internet. In addition, the laboratory Music Computer Technologies engaged in scientific activity: it is, above all, specialized researches in the field of pedagogy and international conferences.http://mediamusic-journal.com/Issues/1_5.html
Mediamusic, LLC
2014-01-26
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/5
Electronic scientific magazine "Mediamusic"; No 1 (2012)
"Медиамузыка", электронный научный журнал; No 1 (2012)
2226-6143
ru
Copyright (c) 2012 Mediamusic, LLC
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/60
2020-08-01T16:34:48Z
Mediamusic:mn
MUSIC IN TV-SERIES "THE THAW" : ON THE MUSICAL CHARACTERIZATION OF THE EPOCH
Shushkova, Olga
Lantseeva, Lilia
art criticism
TV-series; Valery Todorovsky; Konstantin Meladze; The Khrushchev Thaw; film music; stylization
The article deals with the analysis of the music material for Valery Todorovsky’s TV-series The Thaw. The score of the series includes both the original music of the late 1950s — early 60s and the compositions by Konstantin Meladze (and others) written specially for the film. The analysis of music enables the authors to draw the following conclusions. According to V. Todorovsky, the multiplicity of the TV-series music genres combines an industrial melodrama, a comedy, a musical, and a criminal film. But it includes also the polystylism of music elements, such as jazz, rock-n-roll, bossa nova, "mass songs", lyrical songs, guitar tunes, bard songs, etc. Presented in music elements of the serial mediatext, the music stylization makes it possible to draw the parallels with film music written in the late 50s — early 60s, including Lepin’s music for the Carnival Night and some Rota’s filmmusic compositions. At the same time, the entire melodic system of the TV-series is not limited to a mere stylization. It serves to mythologize the epoch of The Khrushchev Thaw and its heroes by imparting them a romantic color.http://mediamusic-journal.com/Issues/11_3.html
Mediamusic, LLC
2020-08-01
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/60
Electronic scientific magazine "Mediamusic"; No 11 (2020)
"Медиамузыка", электронный научный журнал; No 11 (2020)
2226-6143
ru
Copyright (c) 2020 Electronic scientific magazine "Mediamusic"
http://creativecommons.org/licenses/by-nc-nd/4.0
oai:ojs.ojs.mediamusic-journal.com:article/27
2019-02-06T07:21:55Z
Mediamusic:mn
L. VAN BEETHOVEN IN SPACE OF CINEMATOGRAPH: THE EXPERIENCE OF RE-INTERPRETATION
Volkova, Polina S.
musicology; philosophy
Beethoven;Ninth Symphony;re-interpretation;film;Kubrick;"A Clockwork Orange";Tarkovsky;"Nostalghia"
The sense of a musical work, actualized by film director, may either coincide with its established meaning (interpretation) or not necessarily (re-interpretation). The paper presents the experience of re-interpretation of Beethoven’s Ninth Symphony sounding in the films directed by Kubrick (A Clockwork Orange) and Tarkovsky (Nostalghia). This refers to the total rethinking of the classical art sample carried out within a cultural context due to the "past life" of a musical work. Consideration of filmmusic performed in reliance on the rhetorical canon as the trinity of Ethos, Logos, and Pathos. In the terminology of Bakhtin, Logos and Ethos are identified at the level of cognitive and ethical aspects of content. As a result, their co-existence creates Pathos like a unit, which "produced and perceived via art". Giving aware of the fact that in "perception a musical work, the intense deepening of ethical moment is permissible" [Bakhtin], author connects filmmusic specific feature with the experience of re-expression of musical language into pictorial speech.http://mediamusic-journal.com/Issues/4_3.html
Mediamusic, LLC
2014-12-27
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/27
Electronic scientific magazine "Mediamusic"; No 4 (2015)
"Медиамузыка", электронный научный журнал; No 4 (2015)
2226-6143
ru
Copyright (c) 2015 Mediamusic, LLC
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/44
2019-02-06T07:09:17Z
Mediamusic:mn
"MUSICAL RING": ESSAY IN THREE ROUNDS
Zhurkova, Daria A.
cultural studies
Soviet television;popular music;rock music;Tamara Maksimova;Valery Leontiev;Alla Pugacheva;Zhanna Aguzarova;Peter Mamonov;"The Bravo";"The Sounds of Mu"
The article uses the examples from "Musical Ring" TV program to analyze changes that took place in soviet society and on television in the era of Perestroika. The combination of music and discussion in the structure of the telecast is studied, as well as the features of the visual presentation of performers and the nature of communication around new musical genres are determined. The following three issues of the program are examined in detail: 1) Valery Leontiev, 2) "The Bravo" band with Zhanna Aguzarova as bandleader, and 3) the rock groups from Moscow and Leningrad (in particular, "The Sounds of Mu" with Peter Mamonov).http://mediamusic-journal.com/Issues/8_5.html
Mediamusic, LLC
2017-12-24
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/44
Electronic scientific magazine "Mediamusic"; No 8 (2017)
"Медиамузыка", электронный научный журнал; No 8 (2017)
2226-6143
ru
Copyright (c) 2017 Electronic scientific magazine Mediamusic
http://creativecommons.org/licenses/by-nc-nd/4.0
oai:ojs.ojs.mediamusic-journal.com:article/55
2019-12-07T18:29:58Z
Mediamusic:mn
DIGITAL SOURCES FOR MUSIC ACTIVITIES OF CHILDREN WITH CEREBRAL PALSY IN INCLUSIVE SCHOOL
Semenovа, Darya A.
pedagogy
inclusion;musical education;digital sources;HIA;disable children;Garage Band
In the article, you can find a description of the digital educational resources for training courses created under direction of the author at the School "Technology of Education" (Moscow), as well as of resources of the innovative teaching kit "Electronic Music Creativity" (co-authored by the author of this article and Igor Krasilnikov) for full-time and distance learning for people with disabilities, including children with cerebral palsy. Among these resources, there are musical models and puzzles, simulators of musical literacy, tests, musical quizzes, and chrestomathies. The author considers the classification of all resources, the necessary technical support for their use, and also she describes the possibility of their application in practice. In an experiment, data were obtained, which indicate the increase in the level of cognitive activity, as well as a positive dynamic in the development of children's musical abilities. It is a result of a study the impact of digital educational media resources on the development of cognitive activity of children with cerebral palsy conducted at the School "Technology of Education" in 2008-2018.http://mediamusic-journal.com/Issues/10_4.html
Mediamusic, LLC
2019-12-07
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/55
Electronic scientific magazine "Mediamusic"; No 10 (2019)
"Медиамузыка", электронный научный журнал; No 10 (2019)
2226-6143
ru
Copyright (c) 2019 Electronic scientific magazine "Mediamusic"
http://creativecommons.org/licenses/by-nc-nd/4.0
oai:ojs.ojs.mediamusic-journal.com:article/21
2019-02-06T07:30:54Z
Mediamusic:mn
COMPUTER MUSIC IN THE TEACHER-MUSICIAN TRAINING
Gorbunova, Irina B.
Pankova, Anastasia A.
pedagogy
education;information technology;MCT;computer software;digital audio editor;digital video editor;video capture;scorewriter;sequencer;arranger;designer;synthesizer;sampler;sound
Information processes transform the environment of a modern professional musician cause the formation of students’ new educational needs in various musical disciplines. They necessitate the significant changes in activities of the teacher-musician associated with the creative work and the using digital educational resources as well as the widespread introduction of techniques and methods of networking. Music computer technologies (MCT) allow to use fruitfully the rich pedagogical experience in traditional forms of teaching music as well as the unlimited possibilities of computers in a flexible and versatile manner.http://mediamusic-journal.com/Issues/3_4.html
Mediamusic, LLC
2014-04-09
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/21
Electronic scientific magazine "Mediamusic"; No 3 (2014)
"Медиамузыка", электронный научный журнал; No 3 (2014)
2226-6143
ru
Copyright (c) 2014 Mediamusic, LLC
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/74
2022-09-27T19:36:35Z
Mediamusic:mn
ART VIDEO "BOLERO" 2020 : THE CONCEPT OF OVERCOMING
Vybyvanets, Eleonora V.
art criticism; cultural studies
"Bolero" by Ravel;semantic variability;suggestive effect;social functions of art;picture-background;symptoms of multiple sclerosis;dramaturgy of overcoming;dance-movement therapy
Any art work lives if it is perceived by readers, viewers, listeners, performers-interpreters and researchers. The emerging public resonance is comprehended in aesthetics in the context of the social functions of art. The proposed analysis of the one-act video ballet "Bolero" 2020 performed by Sergei Polunin (as a part of an information and educational project of moral support through the means of art for thousands of patients with a multiple sclerosis) requires precisely this aspect of consideration. The originality of the conceptual solution of this art video is established by comparing with other visual versions of reading the music of Maurice Ravel. An analysis of its synthetic text (background, makeup, costume, plastic, symbolic pas) allows us to conclude that the visual comprehensibility of the artistic language of the ballet, in which recognizes the artistically refined image of the signs of the disease, the enormous positive charge of feelings caused by its perception, and the practical therapeutic utility provide the project with effectiveness and value in artistic and social terms.http://mediamusic-journal.com/Issues/13_5.html
Mediamusic, LLC
2022-09-27
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/74
Electronic scientific magazine "Mediamusic"; No 13 (2022)
"Медиамузыка", электронный научный журнал; No 13 (2022)
2226-6143
ru
Copyright (c) 2022 Electronic scientific magazine "Mediamusic"
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oai:ojs.ojs.mediamusic-journal.com:article/39
2017-06-30T23:51:31Z
Mediamusic:mn
LES MISÉRABLES IN THE MEDIA: AN ESSAY IN FOUR PARTS. Part II. Les Misérables from radio to non-musical cinema
Miceli, Sergio
musicology; art criticism; cultural studies
"Les Misérables";Hugo;media;film;filmmusic;radio drama;TV-drama
Famous Italian scientist Sergio Miceli examines the phenomenon of adaptation of Victor Hugo's novel in audio and audiovisual media, from radio theater productions of O.Welles and French "classic" films of the 1930s, for example, directed by R.Bernard and music composed by A.Honegger, to the modern on-screen interpretations of C.Lelouch and B.August, miniseries of director J.Dayan and animated films: VHS – TV – DVD. The researcher proposes to consider the video-recording of live performance in theater like a reproductive medium adaptation. Author stops especially on music of the Italian composer A.Cicognini in the second post-war Italian film of R.Freda, on work of the Hollywood composer A.North in L.Milestone’s movie, on the one of the first television version directed by J.-P. le Chanois with music of J. van Parys, and on the biggest Les Misérables TV version (3 hours and 40 minutes) directed by R.Hossein, 1983 (composer M.Magne).http://mediamusic-journal.com/archive/7.html
Mediamusic, LLC
2017-06-30
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/39
Electronic scientific magazine "Mediamusic"; No 7 (2017)
"Медиамузыка", электронный научный журнал; No 7 (2017)
2226-6143
en
Copyright (c) 2017 Electronic scientific magazine Mediamusic
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oai:ojs.ojs.mediamusic-journal.com:article/7
2014-01-26T18:50:32Z
Mediamusic:mn
oai:ojs.ojs.mediamusic-journal.com:article/15
2019-02-06T07:40:45Z
Mediamusic:mn
THE MODEL FOR DIEGETIC ANALYSIS OF SOUNDS IN SCREEN MEDIA
Denikin, Anton A.
cultural studies
screen; sound; screen-space; diegesis; representation; diegetic; nondiegetic; extradiegetic; semidiegetic; metadiegetic; transdiegetic; sound design; Gary Rydstrom
This article includes the analysis of the relationship between representational visual spaces and sounds in screen media. The methodology presented in this paper can be used for the accurate classification and differentiation for screen sounds, as well as for the general analysis of the specific sound of screen media. For this, the concept of «diegesis» is used. It allows us to analyze the spatial specificity of audiovisual images in cinematographic works and the spatial-functional interactive action in video games and others multimedia.http://mediamusic-journal.com/Issues/2_5.html
Mediamusic, LLC
2014-01-26
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/15
Electronic scientific magazine "Mediamusic"; No 2 (2013)
"Медиамузыка", электронный научный журнал; No 2 (2013)
2226-6143
ru
Copyright (c) 2013 Mediamusic, LLC
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/69
2022-02-03T14:46:05Z
Mediamusic:mn
DIGITAL MUSICAL POST-FOLKLORISM : TO THE PROBLEM OF THE CHARACTERISTICS OF THE PHENOMENON
Gorbunova, Irina B.
Mezentseva, Svetlana V.
pedagogy
musical folklore;musical computer technologies;post-folklore;folklorism;digital musical post-folklorism
This paper explores the problem of musical post-folklorism from the point of view of the existence of folk music at the present stage in the composer's works (in the arranger's works) in the digital environment and in the educational environment. The authors propose and consider the concepts of "musical-computer post-folklorism", "digital musical post-folklorism", and they try to generalize the existence of musical folklore in the modern sound space. New definitions are correlated with the concepts of "folklorism", "music folklorism", "post-folklorizm", other phenomena of the "post-culture" and are seen as reflecting the existence of folklore in modern musical culture, as well as in the "post-culture" in general. The digital and musical-computer technologies are presented as a new space for the functioning of folk music. The authors came to the conclusion that it is necessary to discuss the proposed terminology in order to understand the latest processes taking place in the world of musical-computer technologies and the phenomena of digital post-folklorism in music, related with them. The main features of digital post-folklorism in music are proposed. There are the folklore musical basis, the authorship (composer, arranger), and the research conditions of occurrence in the digital environment.http://mediamusic-journal.com/Issues/12_3.html
Mediamusic, LLC
2022-02-03
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/69
Electronic scientific magazine "Mediamusic"; No 12 (2021)
"Медиамузыка", электронный научный журнал; No 12 (2021)
2226-6143
ru
Copyright (c) 2022 Electronic scientific magazine "Mediamusic"
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oai:ojs.ojs.mediamusic-journal.com:article/34
2019-02-06T07:12:45Z
Mediamusic:mn
MUSICAL RADIO: THE TECHNOLOGY OF PROGRAMING
Bysko, Maxim V.
art criticism; cultural studies
Music broadcasting; programing; playlist; clock; rotation
The author considers the musical radio broadcasting of the XX-XXI centuries from the point of view of a technical progress. He covers the period from "before tape" era and "tape" era to the modern digital media broadcasting (as example with the Digispot II broadcast automation software). However, despite the significant changes in technics, which are expressed primarily in the extensive use of a computer automation and reduction of programming staff (often up to two or three persons: a program director, a managing editor, a music editor), the principles of the linear broadcasting structure remained identical as a whole. So, the basic structural units here are the program blocks, "clocks", blocks of clock's elements (today, these elements often filled with automated rotation).http://mediamusic-journal.com/Issues/6_2.html
Mediamusic, LLC
2016-12-30
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/34
Electronic scientific magazine "Mediamusic"; No 6 (2016)
"Медиамузыка", электронный научный журнал; No 6 (2016)
2226-6143
ru
Copyright (c) 2016 Mediamusic, electronic scientific magazine
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oai:ojs.ojs.mediamusic-journal.com:article/50
2019-12-07T16:53:44Z
Mediamusic:mn
INTERACTIVE TEACHING THE BASICS OF DIGITAL AUDIO AND MODERN INTERACTION PROTOCOLS OF ELECTRONIC MUSICAL INSTRUMENTS
Smirnov, Daniel N.
engineering; pedagogy
Sound engineering;electronic musical instruments;digital audio technology;audio signal;aliasing;quantization;Max 8;patcher
This article describes the experience of teaching the discipline "Digital Audio Technologies" for the university specialty "Musical Sound Engineering" using the environment of the musical object-oriented programming in Max 8. Thescientific results of pedagogical activity in this direction are the study of positive evaluations dynamics of the final tests and the formation the skills acquired by a student for his subsequent professional practice. The article is provided with examples of lectures, independent and course works for students, and the program files of patches.http://mediamusic-journal.com/Issues/9_5.html
Mediamusic, LLC
2018-12-30
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/50
Electronic scientific magazine "Mediamusic"; No 9 (2018)
"Медиамузыка", электронный научный журнал; No 9 (2018)
2226-6143
ru
Copyright (c) 2018 Electronic scientific magazine Mediamusic
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oai:ojs.ojs.mediamusic-journal.com:article/6
2019-02-06T07:49:04Z
Mediamusic:mn
PHILOSOPHICAL AND CULTURAL ASPECTS OF SOUND AND IMAGE ONTICS IN THE DIGITAL ART CONTEXT
Soloviev, Alexander V.
philosophy
sound; image; digital art; ontics; information society; postmodernism; simulacrum
The article is dedicated to philosophical and cultural aspects of sound and image ontics in the digital art context. The current situation of cultural genesis is characterized by the transition from the domination of analog technology to the domination of digital technology, and it is represented in crisis of traditional typology of arts and in revision of sound and visual image ontics as crucial elements of social-cultural reality. Sounds and images constitute the autonomous databases and flows, manifest simulation, seriality and fragmentation as their basic features.http://mediamusic-journal.com/Issues/1_6.html
Mediamusic, LLC
2014-01-26
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/6
Electronic scientific magazine "Mediamusic"; No 1 (2012)
"Медиамузыка", электронный научный журнал; No 1 (2012)
2226-6143
ru
Copyright (c) 2012 Mediamusic, LLC
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/61
2020-08-01T16:34:48Z
Mediamusic:mn
POETICS OF THE COLOR IN THE "ROAD TANGO" SONG : SEMANTIC AND SEMIOTIC ASPECTS
Dudareva, Marianna
cultural studies
song; tango; lilac fog; color poetics; modernism; Arkadiy Severnyi; Vladimir Markin; Sergey Yesenin; Valeriy Dudarev
This article is devoted to the history of creation and processing of the famous song of the late 1980s Road Tango. The song attracts by a complex image of "lilac fog", which is not found in the presumably original source text written by the composer Yuri Lipatov, but this image is found in variable performances by Arkadiy Severnyi or Vladimir Markin. The analysis of "lilac" colorative in a branched cultural-historical context allows revealing the ontological subtext in the song. So, the article takes into account all significant changes in the lyrics that are made by the folk as a whole artist. "Lilac fog" image compels the researcher to turn to the aesthetics of a modernism, to the poetry of the Symbolists, in whose works the lilac color was dominant, as well as to the works of M. Vrubel and J. Malchevskiy, representing a symbolism in their painting. The lilac color has the semantics of the inexpressible; it is the color of otherness in art of the beginning of the 20th century. In the song Road Tango, "lilac" colorative is connected with the feminine principle, the philosophy of Russian Eros. But in modern poetry, this image does not disappear. And the image of "lilac remoteness" appears also in Valeriy Dudarev’s poem Acrobatic Etude, which is referred by critics to the aesthetics of the famous song. The study is based on a holistic analysis of a literary text using the structural-typological, comparative, system-integrated (culturological) research methods.http://mediamusic-journal.com/Issues/11_4.html
Mediamusic, LLC
2020-08-01
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/61
Electronic scientific magazine "Mediamusic"; No 11 (2020)
"Медиамузыка", электронный научный журнал; No 11 (2020)
2226-6143
ru
Copyright (c) 2020 Electronic scientific magazine "Mediamusic"
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oai:ojs.ojs.mediamusic-journal.com:article/28
2019-02-06T07:22:58Z
Mediamusic:mn
FEATURES OF MINIMALIST MUSIC FUNCTIONING IN FILMS
Mikheeva, Julia V.
art criticism; cultural studies
music;minimalism;time;space;cinematography;sound;film;audiovisual concept
The article examines the role of musical minimalism in aesthetic perception and theoretical interpretation of cinematographic works. The film music of Philip Glass, Michael Nyman, Alfred Schnittke, Arvo Pärt, Alexei Aigui is analysed. Author specifies the analysis of the principles of musical minimalism in films in two basic phenomenons. The first one is a transcending of art space through the self-worth of a single sound (sound pattern). The second one is a change the meaning of film-time through the repetitive music technique.http://mediamusic-journal.com/Issues/4_4.html
Mediamusic, LLC
2014-12-27
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/28
Electronic scientific magazine "Mediamusic"; No 4 (2015)
"Медиамузыка", электронный научный журнал; No 4 (2015)
2226-6143
ru
Copyright (c) 2015 Mediamusic, LLC
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/45
2019-02-06T07:10:16Z
Mediamusic:mn
SCHOENBERG AND HERRMANN: DIALOGUE OF DEVOTED
Vybyvanets, Eleonora V.
musicology; art criticism
film;music;Herrmann;Schoenberg;Pierrot Lunaire
The analysis and possible figurative interpretation of the movie-on-music "One Night. One Life" (directed by O.Herrmann, Germany, 1999) are presented in the article. A synthetic audiovisual text unites the musical and lyrical text of the primary source, the vocal cycle "Pierrot Lunaire" composed by A.Schoenberg, and the video text of the director, enclosing a "counter-imagery". The proposed concept of studying this film is revealed with using a certain methodology and it realizes the subject of Personality’s psychological problems in the modern world, which are inherent to the original music text and they are considerably strengthened by the filmmaker. The artistic film discourse in the philosophical-existential and sociological manner reveals both the ontological constancy and universality of these problems and their hypertrophy in the contemporary "society of the spectacle". Also, it leads us to the idea of the need to resist the role imposed for citizens by the established economic order.http://mediamusic-journal.com/Issues/8_6.html
Mediamusic, LLC
2017-12-24
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/45
Electronic scientific magazine "Mediamusic"; No 8 (2017)
"Медиамузыка", электронный научный журнал; No 8 (2017)
2226-6143
ru
Copyright (c) 2017 Electronic scientific magazine Mediamusic
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oai:ojs.ojs.mediamusic-journal.com:article/56
2019-12-07T23:31:45Z
Mediamusic:mn
DIGITAL ACCORDION AS A MEANS OF CREATING AN IMMERSIVE AUDIO ENVIRONMENT IN THEATER SPACE
Petrova, Natalya N.
art criticism
digital V-accordion;electronic sound;musical environment;theater;one-man show;audiovisual synesthesi;Pushkin;Sviridov;"The Blizzard"
A theater is a multi-genre art form, and one of the key roles here is played by the musical accompaniment of a play. The correct selection of music for performances and its timbre design and musical accentuation help the viewer to immerse in semantic space of the theatrical texts. The article considers the performance with an innovative digital accordion in the conditions of modern theater space as a means of creating an immersive musical sound environment that causes audiovisual synesthesia inside the viewer’s mind. This performance with a digital accordion is interpreted like the integrative set of competencies of a "digital" musician, including the skills of an arranger, performer and a sound engineer.http://mediamusic-journal.com/Issues/10_5.html
Mediamusic, LLC
2019-12-07
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/56
Electronic scientific magazine "Mediamusic"; No 10 (2019)
"Медиамузыка", электронный научный журнал; No 10 (2019)
2226-6143
ru
Copyright (c) 2019 Electronic scientific magazine "Mediamusic"
http://creativecommons.org/licenses/by-nc-nd/4.0
oai:ojs.ojs.mediamusic-journal.com:article/22
2019-02-06T07:31:28Z
Mediamusic:mn
MUSIC RADIO-JOURNALISM
Dubovtceva, Ludmila I.
cultural studies; art criticism; philosophy
music;journalism;reporter;commentator;broadcaster;editor;disc jockey;music library;playlist
The article is based on years of practical experience, the author highlights the main radio genres in which music correspondent, music reviewer, music commentator, and music leading and a disc jockey work. Theoretical principles of their creative activities are analyzed in common journalistic genres, such as interview, reportage, talk show, live broadcast, radiofilm, as well as specialized genres like concert on demand and music competition. Journalist’ speech is seen as a logical element, the incoming with music in art-structural relationships. However, it does not become the predominant sound layer and aims to harmonious correlation or local penetration into music opus. In addition, important links in music journalism are defined the auxiliary "offscreen" editor's job and keeping the original sound archive. The author cites a number of own work examples on the air.http://mediamusic-journal.com/Issues/3_5.html
Mediamusic, LLC
2014-04-09
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/22
Electronic scientific magazine "Mediamusic"; No 3 (2014)
"Медиамузыка", электронный научный журнал; No 3 (2014)
2226-6143
ru
Copyright (c) 2014 Mediamusic, LLC
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/75
2022-09-27T19:36:35Z
Mediamusic:mn
CHILDREN'S THEME IN THE PIANO WORKS OF CHINESE COMPOSERS
Pan, Hongyu
musicology; art criticism
Сhildren's piano music;figurative sphere;cartoon music;gong;Chinese piano school;Ding Shangde
The author of the article focuses on the children's theme in the work of Chinese composers, which is gaining more and more popularity in piano performance, also due to the fact that music addressed to a children's audience is an integral part of Chinese animation, which is conquering the world space now. The author draws attention to the figurative spheres characteristic of children's music, including the natural world, the world of society, children's characters and moods, the world of philosophy and folklore, as well as the specifics of the compositional forms that prevail today, the laconicism of which is related to Chinese miniature directly. The latter one is the expression of consciousness through an art form, whether it be carving a fruit stone, painting on glass, or drawing on rice paper.http://mediamusic-journal.com/Issues/13_6.html
Mediamusic, LLC
2022-09-27
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/75
Electronic scientific magazine "Mediamusic"; No 13 (2022)
"Медиамузыка", электронный научный журнал; No 13 (2022)
2226-6143
ru
Copyright (c) 2022 Electronic scientific magazine "Mediamusic"
http://creativecommons.org/licenses/by-nc-nd/4.0
oai:ojs.ojs.mediamusic-journal.com:article/40
2019-02-06T07:03:47Z
Mediamusic:mn
THE SOUND OF CINEMA: TECHNOLOGY AND CREATIVITY
Poznin, Vitaly F.
art criticism
movie;cinema history;sound of film;film sound space;motion picture.
Technology is a means of creating any product. However, in the onscreen art, it is one of the elements creating the art space of film. Considering the main stages of the development of cinematography, this article explores the influence of technology of sound recording on the creating a special artistic and physical space of film (the beginning of the use a sound in movies; the mastering the artistic means of an audiovisual work; the expansion of the spatial characteristics for the screen sound; and the sound in a modern cinema). Today, thanks to new technologies, the sound in a cinema forms a specific quasi-realistic landscape, greatly enhancing the impact on the viewer of the virtual screen images.http://mediamusic-journal.com/Issues/8_1.html
Mediamusic, LLC
2017-12-24
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/40
Electronic scientific magazine "Mediamusic"; No 8 (2017)
"Медиамузыка", электронный научный журнал; No 8 (2017)
2226-6143
ru
Copyright (c) 2017 Electronic scientific magazine Mediamusic
http://creativecommons.org/licenses/by-nc-nd/4.0
oai:ojs.ojs.mediamusic-journal.com:article/1
2019-02-06T07:43:44Z
Mediamusic:mn
MEDIAMUSIC ORIGINS
Chernyshov, Alexander V.
musicology; art criticism
mediamusic; noise-music; film; kinotheka; gramophone; phonograph; telephone; mass media; broadcasting
The article investigates the origins of music in electronic regular broadcasting, which conditions have appeared in the XIX century. They stand out in the "telephone concerts", "phonograph concerts" and the proto-sound films (T.Edison, W.Dickson, Ch.Pathé, O.Messter). In the early twentieth century, a clear prototype of mediamusic playing by the music of "silent" films, which has been divided on the on-screen and offscreen sound layers, the method of compilation, the basics of synchronization between musical sound and off-music montage-structures. In addition, the origins of music of electronic mass media can be regarded as attempts to understand the "musical" noise features, which subsequently materialize in the phenomenon of "noisemusic" of media audio-score (L.Russolo, Ars.Avraamov, D.Vertov, W.Ruttmann, N.Voinov, P.Schaeffer). Are considered Russian, European and North American experiences.http://mediamusic-journal.com/Issues/1_1.html
Mediamusic, LLC
2014-01-26
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/1
Electronic scientific magazine "Mediamusic"; No 1 (2012)
"Медиамузыка", электронный научный журнал; No 1 (2012)
2226-6143
ru
Copyright (c) 2012 Mediamusic, LLC
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/16
2019-02-06T07:41:56Z
Mediamusic:mn
MUSIC EDUCATION AND MULTIMEDIA PROJECTS
Orlova, Elena V.
pedagogy; art criticism
music;multimedia;project;studio;concert;education;festival;international competition;MEMM
The article deals with the prerequisites of shift of music education paradigm in the XXI century, tells about emergence of new forms in the creative efforts of musicians enrolled in primary schools, and at secondary and highest education levels. Different types and genres of the multimedia creativity are considered. They were in demand by musicians at various events-contests, including Russian and international festivals and competitions in terms of which the music was called upon to play a leading role. Criteria of estimates of new forms of artistic expression are developed. The article contains some video examples given the varying multimedia projects noted by juries of several international competitions held in Moscow (Russia) in 2008-2013.http://mediamusic-journal.com/Issues/2_6.html
Mediamusic, LLC
2013-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/16
Electronic scientific magazine "Mediamusic"; No 2 (2013)
"Медиамузыка", электронный научный журнал; No 2 (2013)
2226-6143
ru
Copyright (c) 2013 Mediamusic, LLC
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/70
2022-09-27T19:36:35Z
Mediamusic:mn
ASMR ART
Chernyshov, Alexander V.
art criticism; cultural studies
ASMR;reiki;braingasm;trigger;subculture;immersion;online cinema;personal media broadcasting
The author makes an attempt to determine the communicative and aesthetic features of an immersive online fiction sound cinematography associated with ASMR-stimulation. On the example of videos, primarily hosted by YouTube, the researcher distinguishes the categories of "personal media broadcasting", "virtual intimacy" and "brain stimulation", performed mainly by sound triggers. The author focuses on the connection between direct physical pleasure and aesthetic pleasure, directed to figurative interpretations of visual and sound triggers. At the same time, based on the diegetic analysis of sound, the author proposes a new artistic and communicative subcategory "antidiegetic sounds".http://mediamusic-journal.com/Issues/13_1.html
Mediamusic, LLC
2022-09-27
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/70
Electronic scientific magazine "Mediamusic"; No 13 (2022)
"Медиамузыка", электронный научный журнал; No 13 (2022)
2226-6143
ru
Copyright (c) 2022 Electronic scientific magazine "Mediamusic"
http://creativecommons.org/licenses/by-nc-nd/4.0
oai:ojs.ojs.mediamusic-journal.com:article/35
2019-02-06T07:13:29Z
Mediamusic:mn
TABLET (MOBILE) TECHNOLOGY FOR PROFESSIONAL MUSIC EDUCATION
Gorbunova, Irina B.
Goncharova, Maria S.
cultural studies; pedagogy
Information technology, mobile technology; music education; computer; creativity
The article highlights issues associated with the introduction of cloud-centric and tablet (mobile) devices in music education, use of which confronts the teacher-musician fundamentally new challenges. So, it's a development of practical teaching skills with the assistance of modern technology, a search of approaches to the organization of educational process, a creation of conditions for the continuity between traditional music learning and information technologies in educational process. Authors give the characteristics of cloud computing and the perspective of its use in music schools (distance learning, sharing, cloud services, etc.). Also you can see in this article the overview of some mobile applications (for OS Android and iOS) and their use in the educational process.http://mediamusic-journal.com/Issues/6_3.html
Mediamusic, LLC
2016-12-30
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/35
Electronic scientific magazine "Mediamusic"; No 6 (2016)
"Медиамузыка", электронный научный журнал; No 6 (2016)
2226-6143
ru
Copyright (c) 2016 Mediamusic, electronic scientific magazine
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/51
2019-12-07T16:53:44Z
Mediamusic:mn
MODERN SCIENCE FOR TEACHER-PRACTITIONER. ABOUT DISTANCE EDUCATION AT THE SCIENTIFIC-METHODICAL CENTER "INNOVATIVE ART STUDIES"
Shaimukhametova, Liudmila N.
musicology; pedagogy
Music school;art school;scientific-methodological center;art studies;distance learning;innovative programs;additional education;Laboratory of Musical Semantics;keyboard synthesizer
The article contains information about innovative educational programs, reflecting the author's concept of the creative interaction of a performer with a musical text. From 2001 to 2015, this concept was developed in the Laboratory of Musical Semantics at the Ufa Academy of Arts, and since 2018, it is being implemented and continues its development at thespecially created scientific-methodical center "Innovative Art Studies". The author makes a scientific review of educational programs based on the adaptation of modern research of the Laboratory to the practical works of teachers at music and art schools. Presents the distance learning projects with the different duration (from 18 to 250 hours), describes the possibilities and advantages of distance learning in the system of additional professional education. Programs are grouped into blocks,such as "School of Performing Interpretation and Articulation" (classic-romantic type of interaction) and "School of Piano Transcription" (ensemble playing baroque music). The author informs about the possibilities of modernization of the art education, about the use of new technologies for working with texts in the piano class, about the inclusion a keyboard synthesizer in the methodological process.http://mediamusic-journal.com/Issues/9_6.html
Mediamusic, LLC
2018-12-30
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/51
Electronic scientific magazine "Mediamusic"; No 9 (2018)
"Медиамузыка", электронный научный журнал; No 9 (2018)
2226-6143
ru
Copyright (c) 2018 Electronic scientific magazine Mediamusic
http://creativecommons.org/licenses/by-nc-nd/4.0
oai:ojs.ojs.mediamusic-journal.com:article/9
2019-02-06T07:33:46Z
Mediamusic:mn
SCORE DIGITAL TECHNOLOGY: THE CONVERGENCE
Chernyshov, Alexander V.
musicology; art criticism
scorewriter; MusicXML; MIDI; audiofile; video player; convergence
Explores the role of digital scorewriters in today's culture, education, and music industry and media environment. The main principle of the development of software is not only publishing innovation (relating to the sheet music), and integration into the area of composition, arrangement, education, creative process for works based on digital technology (films, television and radio broadcasting, Internet, audio and video art). Therefore the own convergence of musically-computer technology is a total phenomenon: notation program combined with means MIDI-sequencer, audio and video editor. The article contains the unique interview with the creator of music notation processors.http://mediamusic-journal.com/Issues/2_1.html
Mediamusic, LLC
2014-01-26
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/9
Electronic scientific magazine "Mediamusic"; No 2 (2013)
"Медиамузыка", электронный научный журнал; No 2 (2013)
2226-6143
ru
Copyright (c) 2013 Mediamusic, LLC
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/62
2020-08-01T16:34:48Z
Mediamusic:mn
MUSICAL CREATIVE WORK IN THE DISTANCE EDUCATION ENVIRONMENT
Gorbunova, Irina
Pankova, Anastasia
pedagogy
remote education; music; creativity; Moodle; e-learning
Musical creativity in computer environment creates the possibility for free mastery of all sound material and its artistically efficient application in practice. The digital environment also contributes to the sustainable identification of the synesthetic regularity of music (spatial-auditory communications, the color hearing), which creates optimal conditions for a deeper understanding of the music semantics and its functioning. These opportunities are important for the formation of new approaches to the problems of a professional musician training, including the development of promising methods of modern music education. The article discusses the implementation of the actual remote musical educational process features on the example of activity of the Educational and Methodical Laboratory “Music Computer Technologies” at the Herzen University (St. Petersburg). Here, a system of professional retraining and advanced training of musician teachers was developed, it is based on the virtual learning environment Moodle freely distributed. The authors pay special attention to its educational elements, which allow to organize the process of teaching musical creativity in a digital format. They consider with concrete examples both the learning process itself and the control measures that allow to form consistently the key competencies of the music teacher. This is necessary for his professional activities in the digital educational environment.http://mediamusic-journal.com/Issues/11_5.html
Mediamusic, LLC
2020-08-01
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/62
Electronic scientific magazine "Mediamusic"; No 11 (2020)
"Медиамузыка", электронный научный журнал; No 11 (2020)
2226-6143
ru
Copyright (c) 2020 Electronic scientific magazine "Mediamusic"
http://creativecommons.org/licenses/by-nc-nd/4.0
oai:ojs.ojs.mediamusic-journal.com:article/29
2019-02-06T07:24:28Z
Mediamusic:mn
"LITTLE TRAGEDIES": THE POLYPHONY OF MUSIC, WORDS AND VISUAL IMAGERY
Nikolaeva, Julia E.
musicology; art criticism
Little Tragedies;TV movie;music;words;picture;counterpoint;polyphony
The music for three-part television movie Little Tragedies (1979) on Pushkin’s literature works (directed by M.Schweitzer, music composed by A.Schnittke) has been investigated. The trinity of music, poetic words and visual imagery, and their amazing consistency and reciprocal functioning has been considered in aspect of polyphony as the universal logical principle of building an art form. All the music of the TV movie grows out of two leitmotifs. And theirs varied implementation in the film is exemplified on examples of polyphonic analysis (music/words/images) of fragments from the four main film sections, such as "Scene from Faust", "Mozart and Salieri", "The Covetous Knight", and "A Feast in Time of Plague".http://mediamusic-journal.com/Issues/4_5.html
Mediamusic, LLC
2014-12-27
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/29
Electronic scientific magazine "Mediamusic"; No 4 (2015)
"Медиамузыка", электронный научный журнал; No 4 (2015)
2226-6143
ru
Copyright (c) 2015 Mediamusic, LLC
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/46
2019-12-07T16:53:44Z
Mediamusic:mn
THE USE OF SOUND FOR FORMATTING FILM TIME AND SPACE
Poznin, Vitaly F.
art criticism
sound;film;cinema;artistic space;chronotope;sound perception;diegetic sound
Film sound plays a significant role in creating the illusion of space-time continuum in movie scenes (chronotop) and in enhancing the synesthetic perception of the film as a whole. The article discusses various options for creating artistic space by using diegetic, non-diegetic and metadiegetic sound, the role of sound in the transition from one screen chronotope to another and the nature of the impact on the viewer of new technologies for recording and playing on-screen sound.http://mediamusic-journal.com/Issues/9_1.html
Mediamusic, LLC
2018-12-30
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/46
Electronic scientific magazine "Mediamusic"; No 9 (2018)
"Медиамузыка", электронный научный журнал; No 9 (2018)
2226-6143
ru
Copyright (c) 2018 Electronic scientific magazine Mediamusic
http://creativecommons.org/licenses/by-nc-nd/4.0
oai:ojs.ojs.mediamusic-journal.com:article/57
2019-12-07T18:29:58Z
Mediamusic:mn
THE POLITICAL MEDIA-CARTOON
Bysko, Maxim V.
Chernyshov, Alexander V.
musicology; art criticism
caricature;cartoon;politics;media;parody;mediamusic;film-music;"Kukli";"Zapovednik"
In media, static political media cartoons systematically began to appear in the first half of the 19th century. In the next century, it vividly showed itself in sound media works, into which it entered indirectly through the genre of art parody of literary, musical, cinematic or media sources. To understand the sound parody-with-caricatures, the authors noted the importance of the system of acquired semantic meanings formed by the viewer, primarily related to films and other popular genres. Among the significant Russian-language samples of the political sound media cartoons, the issues of the Russian TV-program Kukli (Puppets) and the German Internet project Zapovednik (Restricted Area with Special Legal Status) were separately analyzed. Zapovednik discovered a new milestone in the development of media genre in the XXI century. Using its issues, the functioning of music and other sounds was briefly reviewed in relation to the moving media cartoons and the parody scene in general. The authors of the study drew particular attention to the multi-level principle of the building a parody-with-caricatures.http://mediamusic-journal.com/Issues/10_6.html
Mediamusic, LLC
2019-12-07
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/57
Electronic scientific magazine "Mediamusic"; No 10 (2019)
"Медиамузыка", электронный научный журнал; No 10 (2019)
2226-6143
ru
Copyright (c) 2019 Electronic scientific magazine "Mediamusic"
http://creativecommons.org/licenses/by-nc-nd/4.0
oai:ojs.ojs.mediamusic-journal.com:article/24
2019-02-06T07:32:33Z
Mediamusic:mn
NOISOLOGY
Bysko, Maxim V.
art criticism; cultural studies
noise;upsound;sonorism;timbre;sound effect;noisomusic;ars-acoustic;soundman
The article considers the noise as the most important category of media culture, its ontology and gnoseological quality, impact ways and possible forms of study. "Noisology" is offered like a separate direction in the science of sound. Today, there are systems of learning and teaching of speech and music, but we are not trained to understand or decipher the noises. We often resort to our own empirical experience when talking about noise or trying to identify it, describe its semantics, symbols or imagery. In the media artistic creation and production of the XX-XXI centuries, the role of the noise is not in doubt. "Music for percussion", "symphonies of noises", noise soundtracks, noisomusic, ars-acoustic, noise tools, data bases of noises and sound-engineering practice of audio effects, all can be confirmation of this phenomena. So, applied mission of art noises requires scientific understanding. Therefore the noisology presents three central topics: noise psychoacoustics, noise semiotics, and noise imagery including its "musicality".http://mediamusic-journal.com/Issues/3_6.html
Mediamusic, LLC
2014-04-09
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/24
Electronic scientific magazine "Mediamusic"; No 3 (2014)
"Медиамузыка", электронный научный журнал; No 3 (2014)
2226-6143
ru
Copyright (c) 2014 Mediamusic, LLC
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/41
2019-02-06T07:05:57Z
Mediamusic:mn
LET’S PLAY BALL — MUSIC PLACEMENT AND MEDIATED SPORTS
Graakjær, Nicolai Jørgensgaard
Grøn, Rasmus
musicology; art criticism
music placement;branding;sports in media;AC/DC;commercial
This article focuses on music placement in commercials from a text analytical perspective. The article argues that music placement should not be understood merely in terms of usage and the ‘parasitic’ attachment of music to non-musical media texts, brands and products. Such placement includes the audiovisual positioning and reconfiguration of the music, which profoundly influences the commercial’s as well as the music’s potentials for signification, which arguably indicates an "artistic" use of the textual resources. The argument is elaborated through a textual analysis of a sports-related commercial, in which the diegetic placement of (a version of) a track by the band AC/DC adds specific values and meanings to the relationship between the music and the mediated sports.http://mediamusic-journal.com/Issues/8_2.html
Mediamusic, LLC
2017-12-24
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/41
Electronic scientific magazine "Mediamusic"; No 8 (2017)
"Медиамузыка", электронный научный журнал; No 8 (2017)
2226-6143
en
Copyright (c) 2017 Electronic scientific magazine Mediamusic
http://creativecommons.org/licenses/by-nc-nd/4.0
oai:ojs.ojs.mediamusic-journal.com:article/2
2019-02-06T07:44:37Z
Mediamusic:mn
PHILIP GlASS: SCREEN MUSIC
Neretina, Maina S.
Chernyshov, Alexander V.
musicology; art criticism
Philip Glass; Godfrey Reggio; cinematic genre; filmmusic; repetition process; additive process
Research is devoted to the music of contemporary composer Philip Glass, which he wrote specifically for the movies including feature and documentary films by American, British and Australian directors (M.Scorsese, E.Morris, S.Daldry, P.Weir etc.). It makes a connection of the composition technologies between his filmmusic and his artmusic written in the aesthetics of minimalism (the repetition and additive processes). The works in collaboration with director G.Reggio highlights as top Glass’ creative at the film industry. It also covers the principles of compilation the composer’s music for a variety of screen opuses, movies and commercials.http://mediamusic-journal.com/Issues/1_2.html
Mediamusic, LLC
2014-01-26
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/2
Electronic scientific magazine "Mediamusic"; No 1 (2012)
"Медиамузыка", электронный научный журнал; No 1 (2012)
2226-6143
ru
Copyright (c) 2012 Mediamusic, LLC
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/17
2019-02-06T07:27:10Z
Mediamusic:mn
THEORETICAL ASPECTS OF FILMMUSIC STUDY
Egorova, Tatiana K.
art criticism; musicology
music;movie;film;filmmusic;mediamusic;mediatext;phonosphere;soundtrack;empathy;sound simulacrum
In this article, author analyzes the theoretical aspects of the film music study taking into account with modern realities in the development of world film-process and attempts to its scientific understanding. Need for innovation in this area is long overdue, because the existing on this topic nonfiction no longer meets the new aesthetic and art-practical achievements and innovations in the film music development at the XXI century. Related to the phenomenon of music in screen arts a number of new terms and concepts require a certain adjustment as well. Their range of action is not yet fully defined. Author of the article offered her version of their content-semantic interpretation (largely experimental) designed to promote new research methods for the film music study.http://mediamusic-journal.com/Issues/3_1.html
Mediamusic, LLC
2014-04-09
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/17
Electronic scientific magazine "Mediamusic"; No 3 (2014)
"Медиамузыка", электронный научный журнал; No 3 (2014)
2226-6143
ru
Copyright (c) 2014 Mediamusic, LLC
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/71
2022-09-27T19:36:35Z
Mediamusic:mn
CHARLES PERRAULT'S FAIRY TALE "PUSS IN BOOTS" IN MUSICAL INTERPRETATION ON THE RUSSIAN SCREEN
Lesovichenko, Andrey M.
musicology; art criticism; cultural studies
Fairy tale;Puss in Boots;Charles Perrault;César Cui;Zinaida and Valentina Brumberg;Harry Bardin;children's movie;cartoon
The article is devoted to the embodiment of one of the popular Western European fairy tale plots on the Russian musical screen. The theme associated with the image of Puss in Boots became especially widespread in the 20th century. It is significant that many incarnations of this fairy tale appeared in literature, music, fine arts and screen arts in Russia. According to the author, it is one of the brightest artistic expressions of Russian Westernism. The first major work was the children's opera composed by César Cui (1913). The libretto was written by Marina Pol'. After this opus, already in the Soviet and post-Soviet times, there are many literary works, cartoons, feature films, operas and musical things for children's performance, professional theatrical productions, drawings and sculptures were created. In this paper, first of all, the author explores the especially significant films, cartoons, and video recordings of musical performances.http://mediamusic-journal.com/Issues/13_2.html
Mediamusic, LLC
2022-09-27
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/71
Electronic scientific magazine "Mediamusic"; No 13 (2022)
"Медиамузыка", электронный научный журнал; No 13 (2022)
2226-6143
ru
Copyright (c) 2022 Electronic scientific magazine "Mediamusic"
http://creativecommons.org/licenses/by-nc-nd/4.0
oai:ojs.ojs.mediamusic-journal.com:article/36
2019-02-06T07:14:38Z
Mediamusic:mn
"CELESTIALS": THE COUNTERPOINT OF NATURE AND ART
Nikolaeva, Julia E.
musicology; art criticism; cultural studies
Birds singing; sound layer, sound modulation; counterpoint; polystylistics; spatial polyphony
The article is devoted to Terskaya's suite "Celestials" for record the birds singing, electronics, flute, piano, and video (2015). It reviewed implementation of the idea of the game "in ensemble with birds": a selection of audio material at the initial stage, then it is a compound according to the principle of complementary sound layers' counterpoint, and a composition of the acoustic instruments' parties. The local video performs the function of "common denominator" for all the musical elements. Video helps to build the dramatic and meaningful lines: nature and art, time of day, nature — culture — Eternity.http://mediamusic-journal.com/Issues/6_4.html
Mediamusic, LLC
2016-12-30
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/36
Electronic scientific magazine "Mediamusic"; No 6 (2016)
"Медиамузыка", электронный научный журнал; No 6 (2016)
2226-6143
ru
Copyright (c) 2016 Mediamusic, electronic scientific magazine
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/52
2019-12-07T18:29:58Z
Mediamusic:mn
MUSIC AND MEDIA FOR CHILDREN: FROM THE ORIGIN TO THE PRESENT
Bysko, Maxim V.
musicology; art criticism; cultural studies
music;media;children;media work;cartoon;musical;musical broadcast;TV;radio;Internet
The article opens the cycle of multimedia publications devoted to the study of media creativeness for children, presented on gramophone records and CDs, on radio and television programs, in cinema and the Internet, video games and mobile applications. This is a huge layer of media products, many of which have already included in the golden fund of humanity, and the most significant and unique of them will be researched in this cycle. The article attempts to scientifically review the main stages of the emergence, development and modification of musical media genres for children's perception in the Soviet and post-Soviet culture. For this, media genres are divided into three conditional meta-groups, such as films-to-music (first of all, films-operas and films-ballets), musical media-works, media-works-with-music. The systems of the Soviet and Russian media industry of musical creativity for children, the emergence of an unprecedented genre of Soviet mass song for children, as well as the crisis of artistic creativity in the digital age are considered in the historical aspect.http://mediamusic-journal.com/Issues/10_1.html
Mediamusic, LLC
2019-12-07
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/52
Electronic scientific magazine "Mediamusic"; No 10 (2019)
"Медиамузыка", электронный научный журнал; No 10 (2019)
2226-6143
ru
Copyright (c) 2019 Electronic scientific magazine "Mediamusic"
http://creativecommons.org/licenses/by-nc-nd/4.0
oai:ojs.ojs.mediamusic-journal.com:article/10
2019-02-06T07:37:26Z
Mediamusic:mn
ICONOGRAPHY AND GESAMTKUNSTWERK IN PARSIFAL’S TWO CINEMATIC SETTINGS
Alunno, Marco
musicology; art criticism
Wagner; Parsifal; Edison; Syberberg; film; opera; iconography; Gesamtkunstwerk
The concept of Gesamtkunstwerk (as expressed and realized in both, Wagner’s theoretical writings and music-dramas) has informed the aesthetics of cinema and filmic language since the early beginning of the last century. However, over the past one hundred years, Wagner’s theories have undergone significant mutations that in some cases contradicted the original model. Filmmakers have altered that model according to their own ideological aims, cultural background and individual taste. With respect to Parsifal, one of the components of the "total work of art" that has been consistently reinterpreted is the opera’s imagery in terms of either scenographical reconstruction or visual representation. The iconographical analysis of two cinematographic versions of Parsifal (Edison, 1904 and Syberberg, 1982) illustrate how the visual aspect of the Gesamtkunstwerk has changed and, in doing so, the concept of the "total work of art" has undermined itself.http://mediamusic-journal.com/Issues/2_2.html
Mediamusic, LLC
2014-01-26
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/10
Electronic scientific magazine "Mediamusic"; No 2 (2013)
"Медиамузыка", электронный научный журнал; No 2 (2013)
2226-6143
en
Copyright (c) 2013 Mediamusic, LLC
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/63
2020-08-01T16:34:48Z
Mediamusic:mn
THE EVOLUTION OF MULTICHANNEL SPATIAL SOUND REPRODUCTION SYSTEMS
Smirnov, Daniel
cultural studies
multichannel sound; quadraphonics; binaural systems; surround sound; Ambisonics; Wavefield Synthesis; 3D; Dolby; AES
The article provides a brief overview of the evolutionary development of multi-channel sound recording and reproduction systems, from simple stereo to quadraphonics, surround, binaural and wave field synthesis systems (Ambisonics and Wavefield Synthesis). The application areas of these systems and spatial sound in commercial and home cinema, in the music recording industry, as well as in the creation of cultural sound "landscapes" and of the virtual reality in a 3D computer-game environment is described here. The author refers to researches of the specialists from Great Britain, USA, Japan (A. Blumlein, T. Holman, M. Gerzon, K. Hamasaki), and to the practical experience of the manufacturers (Dolby Laboratories, DTS, THX, NHK), and also he indicates the prospects for further development and study of multichannel systems, which are actively discussed at the 146th and 147th AES Conventions (Dublin; New York, 2019).http://mediamusic-journal.com/Issues/11_6.html
Mediamusic, LLC
2020-08-01
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/63
Electronic scientific magazine "Mediamusic"; No 11 (2020)
"Медиамузыка", электронный научный журнал; No 11 (2020)
2226-6143
ru
Copyright (c) 2020 Electronic scientific magazine "Mediamusic"
http://creativecommons.org/licenses/by-nc-nd/4.0
oai:ojs.ojs.mediamusic-journal.com:article/30
2019-02-06T07:25:34Z
Mediamusic:mn
MEDIAMUSIC RIGHTS
Chernyshov, Alexander
musicology; art criticism; law
music;media;science;copyright;related rights;Civil Code;Internet
This article focuses on copyright and related rights related to music and near-music works (literary, scientific) in the media environment. The key legal issues of right holders and users are investigated on the basis of the modern Russian law (Civil Code), and on examples from practice of broadcasters, leading music education institutions and scientific databases. The emphasis is on the music art, literature and science in the digital space of Internet, which today is associated with the largest number of creative innovation, and in which accordingly, there is the greatest number of violations of copyright and related rights. In this regard, the author proposes to amend the current Russian legislation to allow the creation of the organization managing the intellectual property rights in the web on a collective basis.http://mediamusic-journal.com/Issues/4_6.html
Mediamusic, LLC
2014-12-27
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/30
Electronic scientific magazine "Mediamusic"; No 4 (2015)
"Медиамузыка", электронный научный журнал; No 4 (2015)
2226-6143
ru
Copyright (c) 2015 Mediamusic, LLC
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/47
2019-12-07T16:53:44Z
Mediamusic:mn
THE MUSICAL DESIGN OF THE FICTION TV SERIES
Chernyshov, Alexander V.
musicology; art criticism
TV series;multi-part film;leitmotif;leit-theme;clip;compositional technique
The article is an abbreviated and multimedia variation of the A.Chernyshov dissertation’s chapter for the degree of Doctor of Arts, which was written in 2012 (p. 222-240). This chapter explores the types of leitmotif technology in a multi-part fiction film. For the first time in the history of art criticism, the author examines the musical-compositional form-construction of a series, highlighting "external" leitmotivs (leitmotif-callsign, leitmotif-while-credits) and "internal" leitmotivs. The author compares the variant development of music themes of the "traditional leitmotiv technique" to the invariant "clip technique". In the modern television series, the author finds mixed types of musical-leitmotiv techniques, predicting the further development of this media genre.http://mediamusic-journal.com/Issues/9_2.html
Mediamusic, LLC
2018-12-30
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/47
Electronic scientific magazine "Mediamusic"; No 9 (2018)
"Медиамузыка", электронный научный журнал; No 9 (2018)
2226-6143
ru
Copyright (c) 2018 Electronic scientific magazine Mediamusic
http://creativecommons.org/licenses/by-nc-nd/4.0
oai:ojs.ojs.mediamusic-journal.com:article/58
2020-08-01T16:34:48Z
Mediamusic:mn
SOUND SCORE IN THE EISENSTEIN HOLLYWOOD SCRIPTS FROM THE POSITION OF DIEGESIS
Bakirov, Dmitry
cultural studies
diegesis; metadiegesis; non-diegetic; oneiric; sound cinema; voice over; internal monologue; film script; Eisenstein; “Sutter's Gold“; “American Tragedy“
The article analyzes diegetic and non-diegetic forms of sound use described at the Eisenstein’s Hollywood scenarios in 1930 (“Sutter's Gold“, “American Tragedy“). These scripts created in the era of early sound cinema became an innovation in using of sound scores as an integral part of the film dramas. Here, the special attention is paid to the classification of possibilities of transferring the subjective perception of characters by means of the various sound solutions, such as meta-diegetic, oneiric sounds, sound distortion, and internal monologue. The author compares the modern narratological classification of sounds and their relation to the film’s diegesis with Eisenstein’s scripts created in the era of early sound cinema. And he reveals the innovation of the dramatic texts written by Soviet film director.http://mediamusic-journal.com/Issues/11_1.html
Mediamusic, LLC
2020-08-01
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/58
Electronic scientific magazine "Mediamusic"; No 11 (2020)
"Медиамузыка", электронный научный журнал; No 11 (2020)
2226-6143
ru
Copyright (c) 2020 Electronic scientific magazine "Mediamusic"
http://creativecommons.org/licenses/by-nc-nd/4.0
oai:ojs.ojs.mediamusic-journal.com:article/25
2019-02-06T07:19:17Z
Mediamusic:mn
MUSICAL ARRANGEMENT OF MEDIA ADS
Chernyshov, Alexander V.
musicology; art criticism
music design;advertising;brand;product placement;infomercial;commercial;jingle;promo;Spiegel
The music-compositional principles of commercial and political advertising and also the self-promotion of electronic media (radio, television, Internet) are considered in this mediatext: from the elementary beeps, symbolic functions, emblems/logos and musical brands to the sound engineering technology to underscore the product's name and the complex synthesis between music and intra movements and color-light design of frames. Simultaneously examines, how the musical arrangement of ethereal advertising is involved in creation the emotional drama or bravado which reach the level of explicit or associative counterpoint 'music with the advertised object or subject' and which extend to expression of cultural image of all the broadcast channel. The article explores the works of the next genres like infomercial, teleshopping, film-ad, and autonomous commercials that have been produced in European countries or USA.http://mediamusic-journal.com/Issues/4_1.html
Mediamusic, LLC
2014-12-27
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/25
Electronic scientific magazine "Mediamusic"; No 4 (2015)
"Медиамузыка", электронный научный журнал; No 4 (2015)
2226-6143
ru
Copyright (c) 2015 Mediamusic, LLC
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/42
2019-02-06T07:07:23Z
Mediamusic:mn
HARMONIZATION OF CONSCIOUSNESS: TO THE QUESTION OF ART THERAPY
Volkova, Polina S.
psychology; art criticism
art therapy;consciousness;irrational;nonverbal;madness;Edison Denisov;Paul Klee
The article is devoted to art and the dialogue with it. That provides a harmonization of the consciousness of modern man, whose defectiveness is recognized in the tendency to identify his Ego exclusively with his Intellect. The author refers to the works on the philosophy of language (Rolandas Pavilionis), psycholinguistics (Alexei Leontiev), philosophy of culture (Michel Foucault, Carl Gustav Jung), sociology (Gi Debor) and argues the point, according to which the integrity of person's psychic life is determined not only by rational consciousness, but also by irrational consciousness. As a result, the idea is postulated that art provides the reader, viewer, listener with the entry into the space of a full-fledged vital activity of them consciousnesses and it facilitates the reconciliation of contradictions caused by the relevant incompatibility of the rational and irrational, verbal and nonverbal, discrete and continuous. In the modern socio-cultural situation, art plays a special role, acting as a preventive measure that can prevent all-absorbing madness. And this is the lasting value of art.http://mediamusic-journal.com/Issues/8_3.html
Mediamusic, LLC
2017-12-24
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/42
Electronic scientific magazine "Mediamusic"; No 8 (2017)
"Медиамузыка", электронный научный журнал; No 8 (2017)
2226-6143
ru
Copyright (c) 2017 Electronic scientific magazine Mediamusic
http://creativecommons.org/licenses/by-nc-nd/4.0
oai:ojs.ojs.mediamusic-journal.com:article/8
2019-02-06T07:45:50Z
Mediamusic:mn
SOUNDS OF MODERN TALK AIR
Bysko, Maxim V.
art criticism; cultural studies
sound; radio; information; broadcasting; media; sound design; web-channel; podcast
The author examines the role of broadcasting from inception to the present day; he means a new historical round of mass media that links modern radio with 1920-30s radio. Art genres of broadcasting and TV news covered in the direct synthesis with information radio genres. In this case, a more organized and balanced sounding of contemporary information radio (order of texts, music-speech structure, and sound design) has a more limited, local space in society. Radio is not only within national boundaries, but also within cultural, subcultural, narrow consumer boundaries. Hence the clear dominance of the road radio audience, as well as a return to the private broadcasting (mobiles, web-channels, podcasts).http://mediamusic-journal.com/Issues/1_3.html
Mediamusic, LLC
2014-01-26
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/8
Electronic scientific magazine "Mediamusic"; No 1 (2012)
"Медиамузыка", электронный научный журнал; No 1 (2012)
2226-6143
ru
Copyright (c) 2012 Mediamusic, LLC
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/53
2019-12-07T18:29:58Z
Mediamusic:mn
RAVEL’S "BOLERO" IN THE SPACE OF VISUALITY (ON THE EXAMPLE OF ANIMATION AND FINE ART)
Volkova, Polina S.
Vybyvanets, Eleonora V.
musicology; art criticism
Bolero;Maksimov;film-to-music;animation;space;time;visual text;minimalism;triptych;Yankylevsky
The article presents the experience of understanding the animation film BOLERO (1992) directed by Ivan Maximov, the idea, concept and imagery of which are due to the characteristics of the space/time/movement of the basic musical text, as well as the work Light and Darkness (1978) by the painter Vladimir Yankylevsky. The correlation analysis of the designated art samples contributes to a deeper understanding of the author’s intention of each of the creators, indirectly highlighting new semantic aspects of the immortal music work composed by Maurice Ravel. Those aspects born at the intersection of classical musical traditions and modern media technologies. This refers to the symbolic reading of Ravel’s Bolero, which absorbs the ambivalence of such categories as life and death, light and darkness, the beginning and the end, presented through a visual paradigm on the example of animation and fine art.http://mediamusic-journal.com/Issues/10_2.html
Mediamusic, LLC
2019-12-07
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/53
Electronic scientific magazine "Mediamusic"; No 10 (2019)
"Медиамузыка", электронный научный журнал; No 10 (2019)
2226-6143
ru
Copyright (c) 2019 Electronic scientific magazine "Mediamusic"
http://creativecommons.org/licenses/by-nc-nd/4.0
oai:ojs.ojs.mediamusic-journal.com:article/19
2019-02-06T07:28:47Z
Mediamusic:mn
FILMMUSIC: THE THEORY OF TECHNOLOGIES
Chernyshov, Alexander V.
musicology; art criticism
theory of filmmusic;source music;onscreen;offscreen;diegetic;nondiegetic;visual-sound counterpoint
The article presents a review of the basic literature on the theory of film music technologies. Basic concepts of sound film music are discussed on the examples of works of Russian (Soviet and post-Soviet) and foreign scholars: Polish, German, French, English, and American. Analyzed the music theory, starting from the works by Sergey Eisenstein and Hanns Eisler to modern researchers such as George Burt and Michel Chion. Author of the article demarcated "functional theories of filmmusic" and "theories of sound layers".http://mediamusic-journal.com/Issues/3_2.html
Mediamusic, LLC
2014-04-09
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/19
Electronic scientific magazine "Mediamusic"; No 3 (2014)
"Медиамузыка", электронный научный журнал; No 3 (2014)
2226-6143
ru
Copyright (c) 2014 Mediamusic, LLC
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/72
2022-09-27T19:36:35Z
Mediamusic:mn
WHO NEEDS THIS RADIO TODAY?
Bysko, Maxim
art criticism; cultural studies
Broadcasting;FM;air;multimedia;commercialization;scientific-pedagogical staff
The author makes an attempt to consider the reasons for the cultural depreciation of Russian broadcasting, and highlights, in his opinion, the objective prerequisites for reducing consumer interest in audio information. Among such prerequisites, the author sees: strict censorship, the commercial imbalance of modern radio broadcasting, the preponderance of the visualization in the information and digital space, an emphasis on horizontal communications, a sharp technical change in the specializations of media production, the scientific and pedagogical collapse of the media industry and media education. The author proposes his own concept of linear and non-linear audio broadcasting in the context of total digitalization.http://mediamusic-journal.com/Issues/13_3.html
Mediamusic, LLC
2022-09-27
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/72
Electronic scientific magazine "Mediamusic"; No 13 (2022)
"Медиамузыка", электронный научный журнал; No 13 (2022)
2226-6143
ru
Copyright (c) 2022 Electronic scientific magazine "Mediamusic"
http://creativecommons.org/licenses/by-nc-nd/4.0
oai:ojs.ojs.mediamusic-journal.com:article/37
2019-02-06T07:15:48Z
Mediamusic:mn
MUSIC WEB JOURNALISM: SELF-IDENTIFICATION
Chernyshov, Alexander V.
art criticism; cultural studies; journalism
Web journalism; convergence; multimedia; online media; webcasting; podcasting; web portal
Online media have a short history. Only twenty years has passed with the moment the first telecommunication media appeared (mainly in the US). However, web journalism as an independent type of convergent journalism began to evolve relatively recently. We will examine its features in this article as an example of new music media journalism. First of all, it features such as universalism, ownership multimedia forms (e-journal, online-radio, online-TV, web portal, etc.) and hypertext, personalization, increased interactivity.http://mediamusic-journal.com/Issues/6_5.html
Mediamusic, LLC
2016-12-30
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/37
Electronic scientific magazine "Mediamusic"; No 6 (2016)
"Медиамузыка", электронный научный журнал; No 6 (2016)
2226-6143
ru
Copyright (c) 2016 Mediamusic, electronic scientific magazine
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/13
2019-02-06T07:38:25Z
Mediamusic:mn
JINGLE: THE SOUNDING SYMBOL
Bysko, Maxim V.
Chernyshov, Alexander V.
musicology; art criticism
jingle; symbol; sign; callsign; radio; television; podcasting; ringtone; audio; mobile communications
The article considers the role of jingles in the industrial era, from the occurrence of the regular radio broadcasting, sound films and television up of modern video games, audio and video podcasts, online broadcasts, and mobile communications. Jingles are researched from the point of view of the theory of symbols: the forward motion is detected in the process of development of jingles from the social symbols (radio callsigns) to the individual signs-images (ringtones). The role of technical progress in the formation of jingles as important cultural audio elements of modern digital civilization.http://mediamusic-journal.com/Issues/2_3.html
Mediamusic, LLC
2014-01-26
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/13
Electronic scientific magazine "Mediamusic"; No 2 (2013)
"Медиамузыка", электронный научный журнал; No 2 (2013)
2226-6143
ru
Copyright (c) 2013 Mediamusic, LLC
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/65
2022-02-03T14:46:05Z
Mediamusic:mn
EMOTIVITY AS A METHOD OF FORMATION A COMMUNICATIVE PERSONALITY (ON THE EXAMPLE OF A NON-VERBAL ARTISTIC DISCOURSE)
Volkova, Polina S.
Shakhovsky, Victor I.
art criticism
language;information system;conceptual system;meaning;cognitive activity;sense formation;emotivity;Fastidious Horses;The Trinity
At the heart of this article, an emotivity is a way to achieve the unity of cognitive and sense-forming activity of consciousness, which is isomorphic in relation to the language as a system. It has been proven that the language is based on interaction of non-verbal and verbal elements. On the one hand, it appears at the level of the information system as an actual self-organizing "device" inherent in any natural organism (linguistic reflex) and responsible for the cognitive process (the Given). On the other hand, the language appears at the level of a conceptual system acting as a potential phenomenon is related to human activity (thought activity) aimed at the reorganizing an information system (the Created) and responsible for the process of a meaning formation (reflection). It has been established, the acquisition of the supra-natural unity of verbal and non-verbal elements is carried out within the framework of the conceptual system and is associated with the following necessity. First, to decode a verbal sign in order to actualize the non-verbal experience (or otherwise, the non-verbalized personal meaning). Second, to encode the non-verbal experiences in order to verbalize the non-verbalized personal meaning. The article shows that the process of decoding verbal elements (like the process of encoding non-verbal elements) is carried out under a sign of the emotivity. By initiating the motivation of the process of meaning, the emotivity conditions the transition from "indifferent meaning" to "meaning for me". At the same time, actual emotives act as markers of the information system, if in them the emotion of the speaking person is expressed either at the level of emotive meaning (bastard, clever, etc.), either at the level of connotation (bunny, sheep). Potential emotives (potentials) act as markers of the conceptual system. The authors refer to a non-verbal discourse used as an example. In the first case, it is the plastic speech of Mikhail Baryshnikov, who enters into artistic communication with the audio recording of Vladimir Vysotsky's song Fastidious Horses. In the second case, it is Andrei Rublev's visual discourse The Trinity icon.
Mediamusic, LLC
2022-02-03
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/65
Electronic scientific magazine "Mediamusic"; No 12 (2021)
"Медиамузыка", электронный научный журнал; No 12 (2021)
2226-6143
ru
Copyright (c) 2022 Electronic scientific magazine "Mediamusic"
http://creativecommons.org/licenses/by-nc-nd/4.0
oai:ojs.ojs.mediamusic-journal.com:article/31
2017-01-21T23:02:29Z
Mediamusic:mn
LES MISÉRABLES IN THE MEDIA: AN ESSAY IN FOUR PARTS. Part I. Very Successful Performances: from Kitsch to artistic potential
Miceli, Sergio
musicology; art criticism; cultural studies
"Les Misérables";Hugo;media;film;filmmusic;musical;radio;broadcast;TV-drama;show;performance
Famous Italian scientist Sergio Miceli examines the phenomenon of adaptation of Victor Hugo's novel in audio and audiovisual media, from radio theater productions of O.Welles and French "classic" films of the 1930s, for example, directed by R.Bernard and music composed by A .Honegger, to the modern on-screen interpretations of C.Lelouch and B.August, miniseries of director J.Dayan and animated films: VHS – TV – DVD. The researcher proposes to consider the video-recording of live performance in theater like a reproductive medium adaptation. Author stops especially on music of the Italian composer A.Cicognini in the second post-war Italian film of R.Freda, on work of the Hollywood composer A.North in L.Milestone’s movie, on the one of the first television version directed by J.-P. le Chanois with music of J. van Parys, and on the biggest Les Misérables TV version (3 hours and 40 minutes) directed by R.Hossein, 1983 (composer M.Magne). In addition, unprecedented in the history and hyper-mass case of adaptation of a literary opus is confirmed via many musicals, musical shows, flash mobs, comics, shows staged in colleges, "interpretations" on YouTube, etc. (Part III). The last Part (IV) is entirely dedicated to Les Misérables on stage and in movie musicals.http://mediamusic-journal.com/archive/5.html
Mediamusic, LLC
2015-10-27
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/31
Electronic scientific magazine "Mediamusic"; No 5 (2015)
"Медиамузыка", электронный научный журнал; No 5 (2015)
2226-6143
en
oai:ojs.ojs.mediamusic-journal.com:article/48
2019-12-07T16:53:44Z
Mediamusic:mn
VISUAL INTERPRETATION OF MUSIC IMAGES IN CARTOONS
Lesovichenko, Andrey M.
Shefova, Elena A.
musicology; art criticism
Music;children;syntesis of arts;analisis;visual text;animation;image;composer;film director
The article is dedicate to the Soviet and the foreign cartoon interpretations of program music works by Russian composers Pyotr Tchaikovsky, Mikhail Glinka, Modest Mussorgsky, Nikolai Rimsky-Korsakov, Sergei Prokofiev, andDmitri Shostakovich. The authors correlate and compare the original musical texts with the animated film results.http://mediamusic-journal.com/Issues/9_3.html
Mediamusic, LLC
2018-12-30
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/48
Electronic scientific magazine "Mediamusic"; No 9 (2018)
"Медиамузыка", электронный научный журнал; No 9 (2018)
2226-6143
ru
Copyright (c) 2018 Electronic scientific magazine Mediamusic
http://creativecommons.org/licenses/by-nc-nd/4.0
oai:ojs.ojs.mediamusic-journal.com:article/59
2020-08-01T16:34:48Z
Mediamusic:mn
VIAN'S "FROTH ON THE DAYDREAM" AS A KEY TO THE MUSIC IDEAS OF DENISOV
Wang, Youwei
art criticism
Opera; "Froth on the Daydream"; Edison Denisov; Boris Vian; Duke Ellington; jazz; "Chloe"
The article discusses the relationship between Edison Denisov's opera Froth on the Daydream (1981) and its literary source novel L᾽Écume des jours (1946), wtitten by Boris Vian. The researcher focuses on musical quotes and images from the Vian’s text and their embodiment in the libretto and in the Denisov’s music. One of the main "musical motifs" of the novel is the tunes composed by Duke Ellington and his composition Chloe, which gave the name to the main character of the Vian’s novel. The emphasis on jazz music is explained by the biography of Vian, who acted as a trumpeter in a jazz ensemble and acted as a songwriter also. The cases of citing text and music of Ellington’s compositions by Denisov and of specific features of adaptation the quotes to the composer's style are described here. Author analyses opera episodes, the musical solution of which was prompted by the text of Boris Vian, such as the scene on the ice rink, skaters deaths, and the final scene with the participation of Cat, Mouse and the choir of blind girls, and others. Based on a comparison of the novel and opera, the author draws conclusions about the similarities and differences in the worldview and aesthetic positions of Boris Vian and Edison Denisov.http://mediamusic-journal.com/Issues/11_2.html
Mediamusic, LLC
2020-08-01
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/59
Electronic scientific magazine "Mediamusic"; No 11 (2020)
"Медиамузыка", электронный научный журнал; No 11 (2020)
2226-6143
ru
Copyright (c) 2020 Electronic scientific magazine "Mediamusic"
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oai:ojs.ojs.mediamusic-journal.com:article/26
2019-02-06T07:20:40Z
Mediamusic:mn
ECOLOGY OF FILM SOUND: FROM AUDIOVISUAL IMAGES TO AUDIOVISUAL SIMULATIONAL SOUNDSCAPES
Denikin, Anton A.
cultural studies
film;audiovisual space;imagery;simulation;immersion;surround sound;acoustic ecology;soundscape
The article examines the aesthetic and technological innovations in the modern film sound: it discusses the concept of "simulational soundscapes" and questions on the "acoustic ecology" in films. Expressive techniques are analyzed, by means of which the distance between viewers and cinematographic images is leveled in modern movies, as well as the viewer's physical participation is simulated in the events shown on a screen. The author proposes to expand the conceptual framework and the methodological basis of on-screen sound research using the concepts of acoustic ecology (R.M.Shafer) and the "event" sounds (R.Altman).http://mediamusic-journal.com/Issues/4_2.html
Mediamusic, LLC
2014-12-27
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/26
Electronic scientific magazine "Mediamusic"; No 4 (2015)
"Медиамузыка", электронный научный журнал; No 4 (2015)
2226-6143
ru
Copyright (c) 2015 Mediamusic, LLC
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/43
2019-02-06T07:08:21Z
Mediamusic:mn
RADIO WITHOUT A LISTENER: "MAYAK"
Bysko, Maxim V.
cultural studies; pedagogy
broadcasting;Mayak;review;live broadcast;DJ;listener;Webber
The singularity of this article is that it is entirely based on a critical analysis of only one live musical radio program on the Mayak radio station and dedicated to the life and work of the famous British composer Andrew Lloyd Webber. In principle, the article can be considered a scientific review of the media product. Based on his analysis, the author comes to the paradoxical conclusion that the presence of a listener becomes unnecessary for modern broadcasting. This is stated by many principles of the conduct of the air, presented in the radio program, where all the information load is placed on the guest in the studio, where there is no preparatory work of the DJs, where their inability to navigate the genres of journalism violates communication norms and colloquial ethics, where an obvious deconstructive approach to the material offered for the listener. In addition, the phenomenon of being he DJs in the radio studio exclusively "for themselves" is emphasized by the sound design of the radio program, which runs counter to the logic of auditory perception (for example, the sequence of jingles), as well as the incompetent selection of musical material, which undoubtedly repels professional radio listeners-musicians.http://mediamusic-journal.com/Issues/8_4.html
Mediamusic, LLC
2017-12-24
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/43
Electronic scientific magazine "Mediamusic"; No 8 (2017)
"Медиамузыка", электронный научный журнал; No 8 (2017)
2226-6143
ru
Copyright (c) 2017 Electronic scientific magazine Mediamusic
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oai:ojs.ojs.mediamusic-journal.com:article/4
2019-02-06T07:46:54Z
Mediamusic:mn
ABOUT SOUNDS IN VIDEO GAMES
Denikin, Anton A.
cultural studies
sound; sound design; video game; simulation; representativeness; interactivity; immersion; randomization; audio-visuality
The article considers the aesthetical and practical possibilities for sounds (sound design) in video games and interactive applications. Outlines the key features of the game sound, such as simulation, representativeness, interactivity, immersion, randomization, and audio-visuality. The author defines the basic terminology in study of game audio, as well as identifies significant aesthetic differences between film sounds and sounds in video game projects. It is an attempt to determine the techniques of art analysis for the approaches in study of video games including aesthetics of their sounds. The article offers a range of research methods, considering the video game scoring as a contemporary creative practice.http://mediamusic-journal.com/Issues/1_4.html
Mediamusic, LLC
2014-01-26
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/4
Electronic scientific magazine "Mediamusic"; No 1 (2012)
"Медиамузыка", электронный научный журнал; No 1 (2012)
2226-6143
ru
Copyright (c) 2012 Mediamusic, LLC
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oai:ojs.ojs.mediamusic-journal.com:article/54
2019-12-07T18:29:58Z
Mediamusic:mn
POLYPHONY OF SOUND SPACES IN FILMS BY ALEXANDER SOKUROV IN THE ERA OF PERESTROIKA
Bezenkova, Maria V.
art criticism
cinema;sound;film;sound-noise composition;polyphony;sound space;elegy;Sokurov
The article traces the main aspects of the sound-noise composition of the films directed by Alexander Sokurov during the perestroika period, as well as the beginning of the 2000s. The author applies the category of sound polyphony in the analysis of discursive or objective use of sounds, noises and music, in the feature films "Mournful Unconcern", "Days of Eclipse", "Father and Son" and documentaries of the cycle "Elegies". The progressive analysis of the structure and figurative expressiveness of those movies reveals the polyphonic elements of the sound environment (sounds of reality, noises of environment, classical music, original music). They are aimed at expressing the author's idea through various forms, such as contrast or matching to the initially specified composition of films. The scientific results of the study allow us to indicate the originality of sound noises and melodic elements in Sokurov films.http://mediamusic-journal.com/Issues/10_3.html
Mediamusic, LLC
2019-12-07
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/54
Electronic scientific magazine "Mediamusic"; No 10 (2019)
"Медиамузыка", электронный научный журнал; No 10 (2019)
2226-6143
ru
Copyright (c) 2019 Electronic scientific magazine "Mediamusic"
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oai:ojs.ojs.mediamusic-journal.com:article/20
2019-02-06T07:29:55Z
Mediamusic:mn
SECRETS OF SONG VIDEO
Chernyshov, Alexander V.
musicology; art criticism
song video;screen song;soundies;promotional clip,;filmed insert;"Bohemian Rhapsody";MTV;video editing;sound element
The article focuses on the origins of the song videos as TV and Internet-genre. In addition, it considers problems of screen images creation depending on the musical form and the text of a songs in connection with relevant principles of accent and phraseological video editing and filming techniques as well as with additional frames and sound elements.http://mediamusic-journal.com/Issues/3_3.html
Mediamusic, LLC
2014-04-09
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/20
Electronic scientific magazine "Mediamusic"; No 3 (2014)
"Медиамузыка", электронный научный журнал; No 3 (2014)
2226-6143
ru
Copyright (c) 2014 Mediamusic, LLC
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/73
2022-09-27T19:36:35Z
Mediamusic:mn
TRADITIONAL MUSICAL CULTURE OF THE CELESTIAL EMPIRE IN THE CONTEXT OF ANIMATION AND CINEMATOGRAPH : THE EXPERIENCE OF COMPREHENSION
Chen, Zizhan
musicology; art criticism
Cinematograph;animation;Russia;China;"The Magic Portrait";pipa;xiao;birch bark horn
The author of the article focuses on traditional musical instruments that appear in such screen arts as animation and cinema. We are talking about a number of musical instruments, including xiao, qin, pipa, dizi. Each of them plays a key role in creative projects based on the dialogue between Russia and China. This refers to the animated films The Brothers Liu (1953) and The Brothers Hulu (1986), which are analyzed against the backdrop of the Russian folk tale Seven Simeons, as well as the feature film The Magic portrait created in 1997 by Russian-Chinese filmmakers. Noting in the animation the presence of a close relationship between number and sound, which plays a special role in traditional Chinese culture, the author also focuses on the correspondence of the name of the main character of the film to the name of musical instruments, which becomes decisive for the girl's actions. In addition, a detailed study of the storyline of the The Magic Portrait reveals a parallel with the opera The Magic Flute by Mozart and the novel Journey to the Land of the East by Hesse. The points of contact updated by the author testify to the widest cultural interchange, during which each of the countries participating in the desired dialogue is enriched, when local culture acts as an integral part of the world artistic heritage.http://mediamusic-journal.com/Issues/13_4.html
Mediamusic, LLC
2022-09-27
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/73
Electronic scientific magazine "Mediamusic"; No 13 (2022)
"Медиамузыка", электронный научный журнал; No 13 (2022)
2226-6143
ru
Copyright (c) 2022 Electronic scientific magazine "Mediamusic"
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oai:ojs.ojs.mediamusic-journal.com:article/38
2019-02-06T07:17:12Z
Mediamusic:mn
SOME FEATURES OF PERCEPTION OF SCREEN SOUND
Poznin, Vitaly F.
art criticism
Film; screen; sight; sound; sound image; convention in movies
The article explores the specifics psychological features of a viewer's perception of screen image and screen sound. Also it reveals the degree of an artistic convention which is necessary for creating the sound image in films. Using extensive empirical material, the author explores the evolution of sound aesthetics in movies and he analyzes some aspects of the interaction between technological and creative parts of the on-screen sounds.http://mediamusic-journal.com/Issues/6_6.html
Mediamusic, LLC
2016-12-30
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/38
Electronic scientific magazine "Mediamusic"; No 6 (2016)
"Медиамузыка", электронный научный журнал; No 6 (2016)
2226-6143
ru
Copyright (c) 2016 Mediamusic, electronic scientific magazine
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/3
2014-01-26T18:40:43Z
Mediamusic:mn
oai:ojs.ojs.mediamusic-journal.com:article/14
2019-02-06T07:39:35Z
Mediamusic:mn
"ON-AIR SECRETS": TEN YEARS LATER
Bysko, Maxim V.
cultural studies; art criticism
radio; format; DJ; music; song; rotation; index card; playlist; jingle; Andrey Bubukin
The article is a scientific review on the training manual On-air secret by Andrey Bubukin, published in 2003. This guide has been written by a man who never had anything to do with radio, but by the will of fate suddenly became at once the program director of Russia's first non-state radio station Europa Plus Moscow, the commercial music radio. Then came to the fore not the questions of art qualities of broadcast, but technical-mathematical details of the automated programming of song material. Therefore, at the end of the Soviet broadcasting, it became possible appearance some people obviously alien to the electronic mass media. They are, however, strongly influenced the further "format" broadcasting in new Russia, so as the principles of songs rotation and playlist making on the radio still can’t do without recourse to the Bubukin's textbook. There are serious concerns about the fact that the book is intended not only for program directors, but for the music editors also. Extremely dubious assertions and recommendations related to the problems of arts, journalism, radio-presenter's skill, history of radio.http://mediamusic-journal.com/Issues/2_4.html
Mediamusic, LLC
2014-01-26
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/14
Electronic scientific magazine "Mediamusic"; No 2 (2013)
"Медиамузыка", электронный научный журнал; No 2 (2013)
2226-6143
ru
Copyright (c) 2013 Mediamusic, LLC
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oai:ojs.ojs.mediamusic-journal.com:article/66
2022-02-03T14:46:05Z
Mediamusic:mn
MEDIAMUSIC OF POLITICAL PROTEST
Chernyshov, Alexander V.
musicology; art criticism
Russia;political protest;music;song;rock band;perestroika;rap;song video
The review article attempts to reveal the evolution of protest actions of musicians in the new era, to trace the change in musical genres in which political protest has become most pronounced. If at the beginning of the twentieth century we can speak of melodically bright revolutionary songs, then in the first decades of the twenty-first century we can mainly hear recitative raps containing sharp criticism of the actions of governments' officials and civil servants. The author shows how the protest music movement is shifting to the Internet and becoming a network video creation, how repressive actions and online opposition journalism become the reasons for a retaliatory artistic and musical media protest. The main persons involved in the article are Soviet and Russian rock musicians and rappers and their protest songs. Similar examples from the other countries such as United States, Spain, Belarus and Thailand are given.http://mediamusic-journal.com/Issues/12_2.html
Mediamusic, LLC
2022-02-03
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/66
Electronic scientific magazine "Mediamusic"; No 12 (2021)
"Медиамузыка", электронный научный журнал; No 12 (2021)
2226-6143
ru
Copyright (c) 2022 Electronic scientific magazine "Mediamusic"
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oai:ojs.ojs.mediamusic-journal.com:article/33
2019-02-06T07:11:32Z
Mediamusic:mn
MUSICAL TELEVISION OF BELARUS: 60 YEARS IN OWN IMAGE SEARCHING
Sushko, Katsiaryna O.
cultural studies; art criticism
Musical television; Republic of Belarus; national identity; Central television of the USSR; TV-musical
The paper is identified the key development stages of Belarusian musical television and the features of itsfunction as a part of Central broadcasting system of the USSR and in the contemporary media space of the Republic ofBelarus. On the basis of systematic studies of television content 1956-2016's, the author concluded that the origin path ofdevelopment of domestic musical TV during the Soviet period (the formation of national identity, the emergence of uniquegenres) and serious crisis processes in the musical segment broadcasting after 1991 (Russian, British and Americaninfluence, secondary content, recreational function of the musical TV).http://mediamusic-journal.com/Issues/6_1.html
Mediamusic, LLC
2016-12-30
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/33
Electronic scientific magazine "Mediamusic"; No 6 (2016)
"Медиамузыка", электронный научный журнал; No 6 (2016)
2226-6143
ru
Copyright (c) 2016 Mediamusic, electronic scientific magazine
https://creativecommons.org/licenses/by-nc-nd/4.0/
oai:ojs.ojs.mediamusic-journal.com:article/49
2019-12-07T16:53:44Z
Mediamusic:mn
MODERN METHODS OF SOUND PANORAMING IN MULTICHANNEL SYSTEMS OF SOUND REPRODUCTION
Smirnov, Daniel N.
engineering; acoustics
Sound engineering;amplitude panning;vector panning;multichannel sound;ambisonics
The article deals with modern methods of the virtual sound source panning in stereo and multichannel audio systems. The basic relationships are shown for determining the sound pressure levels of loudspeakers for various panningmethods. Some computer applications that allow panning virtual sources in multichannel systems are considered.http://mediamusic-journal.com/Issues/9_4.html
Mediamusic, LLC
2018-12-30
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://ojs.mediamusic-journal.com/index.php/Mediamusic/article/view/49
Electronic scientific magazine "Mediamusic"; No 9 (2018)
"Медиамузыка", электронный научный журнал; No 9 (2018)
2226-6143
ru
Copyright (c) 2018 Electronic scientific magazine Mediamusic
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