DIGITAL MUSICAL POST-FOLKLORISM : TO THE PROBLEM OF THE CHARACTERISTICS OF THE PHENOMENON
Abstract
This paper explores the problem of musical post-folklorism from the point of view of the existence of folk music at the present stage in the composer's works (in the arranger's works) in the digital environment and in the educational environment. The authors propose and consider the concepts of "musical-computer post-folklorism", "digital musical post-folklorism", and they try to generalize the existence of musical folklore in the modern sound space. New definitions are correlated with the concepts of "folklorism", "music folklorism", "post-folklorizm", other phenomena of the "post-culture" and are seen as reflecting the existence of folklore in modern musical culture, as well as in the "post-culture" in general. The digital and musical-computer technologies are presented as a new space for the functioning of folk music. The authors came to the conclusion that it is necessary to discuss the proposed terminology in order to understand the latest processes taking place in the world of musical-computer technologies and the phenomena of digital post-folklorism in music, related with them. The main features of digital post-folklorism in music are proposed. There are the folklore musical basis, the authorship (composer, arranger), and the research conditions of occurrence in the digital environment.
Keywords
References
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