|
Issue |
Title |
|
No 8 (2017) |
THE SOUND OF CINEMA: TECHNOLOGY AND CREATIVITY |
Abstract
|
Vitaly F. Poznin |
|
No 9 (2018) |
THE USE OF SOUND FOR FORMATTING FILM TIME AND SPACE |
Abstract
|
Vitaly F. Poznin |
|
No 6 (2016) |
"CELESTIALS": THE COUNTERPOINT OF NATURE AND ART |
Abstract
|
Julia E. Nikolaeva |
|
No 6 (2016) |
SOME FEATURES OF PERCEPTION OF SCREEN SOUND |
Abstract
|
Vitaly F. Poznin |
|
No 1 (2012) |
SOUNDS OF MODERN TALK AIR |
Abstract
|
Maxim V. Bysko |
|
No 1 (2012) |
ABOUT SOUNDS IN VIDEO GAMES |
Abstract
|
Anton A. Denikin |
|
No 9 (2018) |
MODERN METHODS OF SOUND PANORAMING IN MULTICHANNEL SYSTEMS OF SOUND REPRODUCTION |
Abstract
|
Daniel N. Smirnov |
|
No 3 (2014) |
THEORETICAL ASPECTS OF FILMMUSIC STUDY |
Abstract
|
Tatiana K. Egorova |
|
No 1 (2012) |
PHILOSOPHICAL AND CULTURAL ASPECTS OF SOUND AND IMAGE ONTICS IN THE DIGITAL ART CONTEXT |
Abstract
|
Alexander V. Soloviev |
|
No 4 (2015) |
FEATURES OF MINIMALIST MUSIC FUNCTIONING IN FILMS |
Abstract
|
Julia V. Mikheeva |
|
No 2 (2013) |
THE MODEL FOR DIEGETIC ANALYSIS OF SOUNDS IN SCREEN MEDIA |
Abstract
|
Anton A. Denikin |
|
No 11 (2020) |
THE EVOLUTION OF MULTICHANNEL SPATIAL SOUND REPRODUCTION SYSTEMS |
Abstract
|
Daniel Smirnov |
|
No 4 (2015) |
ECOLOGY OF FILM SOUND: FROM AUDIOVISUAL IMAGES TO AUDIOVISUAL SIMULATIONAL SOUNDSCAPES |
Abstract
|
Anton A. Denikin |
|
No 3 (2014) |
SECRETS OF SONG VIDEO |
Abstract
|
Alexander V. Chernyshov |
|
No 11 (2020) |
SOUND SCORE IN THE EISENSTEIN HOLLYWOOD SCRIPTS FROM THE POSITION OF DIEGESIS |
Abstract
|
Dmitry Bakirov |
|
No 3 (2014) |
NOISOLOGY |
Abstract
|
Maxim V. Bysko |
|
No 3 (2014) |
COMPUTER MUSIC IN THE TEACHER-MUSICIAN TRAINING |
Abstract
|
Irina B. Gorbunova, Anastasia A. Pankova |
|
No 9 (2018) |
INTERACTIVE TEACHING THE BASICS OF DIGITAL AUDIO AND MODERN INTERACTION PROTOCOLS OF ELECTRONIC MUSICAL INSTRUMENTS |
Abstract
|
Daniel N. Smirnov |
|
No 10 (2019) |
DIGITAL ACCORDION AS A MEANS OF CREATING AN IMMERSIVE AUDIO ENVIRONMENT IN THEATER SPACE |
Abstract
|
Natalya N. Petrova |
|
No 10 (2019) |
POLYPHONY OF SOUND SPACES IN FILMS BY ALEXANDER SOKUROV IN THE ERA OF PERESTROIKA |
Abstract
|
Maria V. Bezenkova |
|
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