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Issue Title
 
No 8 (2017) THE SOUND OF CINEMA: TECHNOLOGY AND CREATIVITY Abstract
Vitaly F. Poznin
 
No 1 (2012) MEDIAMUSIC ORIGINS Abstract
Alexander V. Chernyshov
 
No 3 (2014) THEORETICAL ASPECTS OF FILMMUSIC STUDY Abstract
Tatiana K. Egorova
 
No 4 (2015) FEATURES OF MINIMALIST MUSIC FUNCTIONING IN FILMS Abstract
Julia V. Mikheeva
 
No 5 (2015) LES MISÉRABLES IN THE MEDIA: AN ESSAY IN FOUR PARTS. Part I. Very Successful Performances: from Kitsch to artistic potential Abstract
Sergio Miceli
 
No 6 (2016) SOME FEATURES OF PERCEPTION OF SCREEN SOUND Abstract
Vitaly F. Poznin
 
No 4 (2015) L. VAN BEETHOVEN IN SPACE OF CINEMATOGRAPH: THE EXPERIENCE OF RE-INTERPRETATION Abstract
Polina S. Volkova
 
No 4 (2015) ECOLOGY OF FILM SOUND: FROM AUDIOVISUAL IMAGES TO AUDIOVISUAL SIMULATIONAL SOUNDSCAPES Abstract
Anton A. Denikin
 
No 2 (2013) ICONOGRAPHY AND GESAMTKUNSTWERK IN PARSIFAL’S TWO CINEMATIC SETTINGS Abstract
Marco Alunno
 
No 8 (2017) SCHOENBERG AND HERRMANN: DIALOGUE OF DEVOTED Abstract
Eleonora V. Vybyvanets
 
No 7 (2017) LES MISÉRABLES IN THE MEDIA: AN ESSAY IN FOUR PARTS. Part II. Les Misérables from radio to non-musical cinema Abstract
Sergio Miceli
 
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