|
Issue |
Title |
|
No 8 (2017) |
THE SOUND OF CINEMA: TECHNOLOGY AND CREATIVITY |
Abstract
|
Vitaly F. Poznin |
|
No 1 (2012) |
MEDIAMUSIC ORIGINS |
Abstract
|
Alexander V. Chernyshov |
|
No 3 (2014) |
THEORETICAL ASPECTS OF FILMMUSIC STUDY |
Abstract
|
Tatiana K. Egorova |
|
No 4 (2015) |
FEATURES OF MINIMALIST MUSIC FUNCTIONING IN FILMS |
Abstract
|
Julia V. Mikheeva |
|
No 9 (2018) |
THE USE OF SOUND FOR FORMATTING FILM TIME AND SPACE |
Abstract
|
Vitaly F. Poznin |
|
No 6 (2016) |
SOME FEATURES OF PERCEPTION OF SCREEN SOUND |
Abstract
|
Vitaly F. Poznin |
|
No 5 (2015) |
LES MISÉRABLES IN THE MEDIA: AN ESSAY IN FOUR PARTS. Part I. Very Successful Performances: from Kitsch to artistic potential |
Abstract
|
Sergio Miceli |
|
No 4 (2015) |
L. VAN BEETHOVEN IN SPACE OF CINEMATOGRAPH: THE EXPERIENCE OF RE-INTERPRETATION |
Abstract
|
Polina S. Volkova |
|
No 4 (2015) |
ECOLOGY OF FILM SOUND: FROM AUDIOVISUAL IMAGES TO AUDIOVISUAL SIMULATIONAL SOUNDSCAPES |
Abstract
|
Anton A. Denikin |
|
No 2 (2013) |
ICONOGRAPHY AND GESAMTKUNSTWERK IN PARSIFAL’S TWO CINEMATIC SETTINGS |
Abstract
|
Marco Alunno |
|
No 11 (2020) |
SOUND SCORE IN THE EISENSTEIN HOLLYWOOD SCRIPTS FROM THE POSITION OF DIEGESIS |
Abstract
|
Dmitry Bakirov |
|
No 9 (2018) |
VISUAL INTERPRETATION OF MUSIC IMAGES IN CARTOONS |
Abstract
|
Andrey M. Lesovichenko, Elena A. Shefova |
|
No 9 (2018) |
THE MUSICAL DESIGN OF THE FICTION TV SERIES |
Abstract
|
Alexander V. Chernyshov |
|
No 8 (2017) |
SCHOENBERG AND HERRMANN: DIALOGUE OF DEVOTED |
Abstract
|
Eleonora V. Vybyvanets |
|
No 11 (2020) |
MUSIC IN TV-SERIES "THE THAW" : ON THE MUSICAL CHARACTERIZATION OF THE EPOCH |
Abstract
|
Olga Shushkova, Lilia Lantseeva |
|
No 7 (2017) |
LES MISÉRABLES IN THE MEDIA: AN ESSAY IN FOUR PARTS. Part II. Les Misérables from radio to non-musical cinema |
Abstract
|
Sergio Miceli |
|
No 10 (2019) |
POLYPHONY OF SOUND SPACES IN FILMS BY ALEXANDER SOKUROV IN THE ERA OF PERESTROIKA |
Abstract
|
Maria V. Bezenkova |
|
1 - 17 of 17 Items |
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