Vitaly F. Poznin


The article explores the specifics psychological features of a viewer's perception of screen image and screen sound. Also it reveals the degree of an artistic convention which is necessary for creating the sound image in films. Using extensive empirical material, the author explores the evolution of sound aesthetics in movies and he analyzes some aspects of the interaction between technological and creative parts of the on-screen sounds.


Film; screen; sight; sound; sound image; convention in movies


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