LET’S PLAY BALL — MUSIC PLACEMENT AND MEDIATED SPORTS

Nicolai Jørgensgaard Graakjær, Rasmus Grøn

Abstract


This article focuses on music placement in commercials from a text analytical
perspective. The article argues that music placement should not be understood merely in terms of usage and the
‘parasitic’ attachment of music to non-musical media texts, brands and products. Such placement includes the audiovisual positioning and reconfiguration of the music, which profoundly influences the commercial’s as well as the music’s potentials for signification, which arguably indicates an "artistic" use of the textual resources. The argument is elaborated through a textual analysis of a sports-related commercial, in which the diegetic placement of (a version of) a track by the band AC/DC adds specific values and meanings to the relationship between the music and the mediated sports.

http://mediamusic-journal.com/Issues/8_2.html


Keywords


music placement;branding;sports in media;AC/DC;commercial

References


Allan, David. This Note’s for You. Popular Music + Advertising = Marketing Excellence. N. Y. (NY): Business Expert Press, 2015. 222 p.

Austin, John L. How to Do Things with Words. The William James lectures delivered at Harvard University in 1955 / 2nd ed. Cambridge (MA): Harvard University Press, 1975. 192 p.

Brown, Steven. Introduction. How Does Music Work? Toward a Pragmatics of Musical Mommunication. In Music and Manipulation — On the Social Uses and Control of Music / ed. by S. Brown & U. Volgsten. N. Y. (NY): Berghan Books, 2006, pp. 1-27.

Cameron, Samuel. Music in the Marketplace. A Social Economics Approach. L. (UK): Routledge, 2015. 258 p.

Chignell, Hugh. Key Concepts in Radio Studies. L. (UK): Sage, 2009. 200 p.

Cook, Nicholas. Analysing Musical Multimedia. Oxford (UK): Oxford University Press, 1998. 304 p.

Cook, Nicholas. Theorizing Musical Meaning. In Music Theory Spectrum, 2001, no. 23, pp. 170-195.

Crosson, Seán. Sport and Film (frontiers of sport). Oxon (UK): Routledge, 2011. 216 p.

Eckhardt, Giana M., & Bradshaw, Alan. The Erasure of Antagonisms Between Popular Music and Advertising. In Marketing Theory, 2014, no. 14, pp. 167-183.

Goldberg, David T. Call and Response. In Journal of Sport and Social Issues, 1998, no. 22, pp. 212-223.

Graakjær, Nicolai J. Analyzing Music in Advertising. Television Commercials and Consumer Choice. N. Y. (NY): Routledge, 2015. 182 p.

Hagood, Mack, & Vogan, Travis. The 12th Man: Fan Noise in the Contemporary NFL. In Popular Communication, 2016, no. 14, pp. 30-38.

Holt, Douglas B. Why Do Brands Cause Trouble? A Dialectical Theory of Consumer Culture and Branding. In Journal of Consumer Research, 2002, no. 29, pp. 70-90.

Jacobs, Jason, & Peacock, Steven. Introduction. In Television Aesthetics and Style / ed. by J. Jacobs & S. Peacock. N. Y. (NY): Bloomsbury Publishing, 2013, pp. 1-20.

Karageorghis, Costas. Applying Music in Exercise and Sports. Campaign (IL): Human Kinetics Publishers, 2017. 352 p.

Killmeier, Matthew A., & Christiansen, Paul. Wolves at the Door: Musical Persuasion in a 2004 Bush-Cheney Advertisement. In Mediekultur, 2011, no. 27, pp. 160-180.

Klein, Bethany. As Heard on TV: Popular Music in Advertising. Farnham (UK): Ashgate, 2009. 178 p.

Lacasse, Serge. Intertextuality and Hypertextuality in Recorded Popular Music. In The Musical Work: Reality or Invention / ed. by M. Talbot. Liverpool (UK): Liverpool University Press, 2000, pp. 35-58.

McGuiness, Mike. ’Friday Night and the Gates are Low’: Popular Music and Its Relationship(s) to Sport. In Sporting Sounds. Relationship Between Sport and Music / ed. by A. Bateman & J. Bale. N. Y. (NY): Routledge, 2009, pp. 13-36.

McLeod, Ken. We are the Champions: The Politics of Sports and Popular Music. Farnham (UK): Ashgate, 2001. 268 p.

Meier, Leslie M. Popular Music as Promotion: Music and Branding in the Digital Age. Cambridge (UK): Polity Press, 2017. 216 p.

Mills, Peter. Media and Popular Music. Edinburgh (UK): Edinburgh University Press, 2012. 168 p.

Mukarovsky, Jan. Aesthetic Function, Norm and Value as Social Facts. Ann Arbor (MI): University of Michigan Press, 1979. 102 p.

Nylund, David. When in Rome: Heterosexism, Homophobia, and Sports Talk Radio. In Journal of Sport and Social Issues, 2004, no. 28, pp. 136-168.

Rodman, Ron. Tuning In. American Narrative Television Music. N. Y. (NY): Oxford University Press, 2010. 370 p.

Rojek, Chris. Sports Celebrity and the Civilizing Process. In Sports in Society: Cultures, Commerce, Media, Politics, 2006, vol. 9, no. 4, pp. 674-690.

Rowe, David. Popular Cultures: Rock Music, Sport and Politics of Pleasures. L. (UK): Sage, 1995. 192 p.

Shklovsky, Victor. Art as Technique. In Russian Formalist Criticism: Four Essays / ed. by L. T. Lemon & M. J. Reis, 2nd ed. Lincoln: University of Nebraska Press, 1917/2012, pp. 3-24.

Solomon, Brian. It’s Official: Apple Adds Dr. Dre With $3 Billion Beats Deal. In Forbes. May 28, 2014. URL: http://www.forbes.com/sites/briansolomon/2014/05/28/apple-brings-dr-dre-on-board-with-official-3-billion-beats-deal/

Stigel, Jørgen. The Aesthetics of Danish TV-spot-commercials. A Study of Danish TV-commercials in the 1990s. In Advertising Research in the Nordic Countries / ed. by F. Hansen & L. Y. Hansen. Frederiksberg: Samfundslitteratur, 2001, pp. 327-350.

Taylor, Timothy. The Sounds of Capitalism. Advertising, Music, and the Conquest of Culture. Chicago: University of Chicago Press, 2012. 366 p.

Tota, Anna L. “When Orff Meets Guinness”: Music in Advertising as a Form of Cultural Hybrid. In Poetics, 2001, no. 29, pp. 109-123.

Winslow, Luke. Brawn, Brains, and the Dearth of Black NFL Quarterbacks. In Sports and Identity: New Agendas in Communication / ed. by B. Brummett & A. W. Isak. N. Y. (NY): Routledge, 2014, pp. 19-44.


Refbacks

  • There are currently no refbacks.


Copyright (c) 2017 Electronic scientific magazine Mediamusic

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

© LLC "Mediamusic", 2012 - to the present