| Issue | Title | |
| No 4 (2015) | MEDIAMUSIC RIGHTS | Abstract |
| Alexander Chernyshov | ||
| No 9 (2018) | MODERN METHODS OF SOUND PANORAMING IN MULTICHANNEL SYSTEMS OF SOUND REPRODUCTION | Abstract |
| Daniel N. Smirnov | ||
| No 9 (2018) | MODERN SCIENCE FOR TEACHER-PRACTITIONER. ABOUT DISTANCE EDUCATION AT THE SCIENTIFIC-METHODICAL CENTER "INNOVATIVE ART STUDIES" | Abstract |
| Liudmila N. Shaimukhametova | ||
| No 10 (2019) | MUSIC AND MEDIA FOR CHILDREN: FROM THE ORIGIN TO THE PRESENT | Abstract |
| Maxim V. Bysko | ||
| No 2 (2013) | MUSIC EDUCATION AND MULTIMEDIA PROJECTS | Abstract |
| Elena V. Orlova | ||
| No 11 (2020) | MUSIC IN TV-SERIES "THE THAW" : ON THE MUSICAL CHARACTERIZATION OF THE EPOCH | Abstract |
| Olga Shushkova, Lilia Lantseeva | ||
| No 3 (2014) | MUSIC RADIO-JOURNALISM | Abstract |
| Ludmila I. Dubovtceva | ||
| No 6 (2016) | MUSIC WEB JOURNALISM: SELF-IDENTIFICATION | Abstract |
| Alexander V. Chernyshov | ||
| No 4 (2015) | MUSICAL ARRANGEMENT OF MEDIA ADS | Abstract |
| Alexander V. Chernyshov | ||
| No 11 (2020) | MUSICAL CREATIVE WORK IN THE DISTANCE EDUCATION ENVIRONMENT | Abstract |
| Irina Gorbunova, Anastasia Pankova | ||
| No 6 (2016) | MUSICAL RADIO: THE TECHNOLOGY OF PROGRAMING | Abstract |
| Maxim V. Bysko | ||
| No 8 (2017) | "MUSICAL RING": ESSAY IN THREE ROUNDS | Abstract |
| Daria A. Zhurkova | ||
| No 6 (2016) | MUSICAL TELEVISION OF BELARUS: 60 YEARS IN OWN IMAGE SEARCHING | Abstract |
| Katsiaryna O. Sushko | ||
| No 1 (2012) | MUSICAL-COMPUTER TECHNOLOGY: THE LABORATORY | Abstract |
| Irina B. Gorbunova | ||
| No 3 (2014) | NOISOLOGY | Abstract |
| Maxim V. Bysko | ||
| No 2 (2013) | "ON-AIR SECRETS": TEN YEARS LATER | Abstract |
| Maxim V. Bysko | ||
| No 1 (2012) | PHILIP GlASS: SCREEN MUSIC | Abstract |
| Maina S. Neretina, Alexander V. Chernyshov | ||
| No 1 (2012) | PHILOSOPHICAL AND CULTURAL ASPECTS OF SOUND AND IMAGE ONTICS IN THE DIGITAL ART CONTEXT | Abstract |
| Alexander V. Soloviev | ||
| No 11 (2020) | POETICS OF THE COLOR IN THE "ROAD TANGO" SONG : SEMANTIC AND SEMIOTIC ASPECTS | Abstract |
| Marianna Dudareva | ||
| No 10 (2019) | POLYPHONY OF SOUND SPACES IN FILMS BY ALEXANDER SOKUROV IN THE ERA OF PERESTROIKA | Abstract |
| Maria V. Bezenkova | ||
| No 8 (2017) | RADIO WITHOUT A LISTENER: "MAYAK" | Abstract |
| Maxim V. Bysko | ||
| No 10 (2019) | RAVEL’S "BOLERO" IN THE SPACE OF VISUALITY (ON THE EXAMPLE OF ANIMATION AND FINE ART) | Abstract |
| Polina S. Volkova, Eleonora V. Vybyvanets | ||
| No 8 (2017) | SCHOENBERG AND HERRMANN: DIALOGUE OF DEVOTED | Abstract |
| Eleonora V. Vybyvanets | ||
| No 2 (2013) | SCORE DIGITAL TECHNOLOGY: THE CONVERGENCE | Abstract |
| Alexander V. Chernyshov | ||
| No 3 (2014) | SECRETS OF SONG VIDEO | Abstract |
| Alexander V. Chernyshov | ||
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