| Issue | Title | |
| No 1 (2012) | ABOUT SOUNDS IN VIDEO GAMES | Abstract |
| Anton A. Denikin | ||
| No 13 (2022) | ART VIDEO "BOLERO" 2020 : THE CONCEPT OF OVERCOMING | Abstract |
| Eleonora V. Vybyvanets | ||
| No 13 (2022) | ASMR ART | Abstract |
| Alexander V. Chernyshov | ||
| No 6 (2016) | "CELESTIALS": THE COUNTERPOINT OF NATURE AND ART | Abstract |
| Julia E. Nikolaeva | ||
| No 13 (2022) | CHARLES PERRAULT'S FAIRY TALE "PUSS IN BOOTS" IN MUSICAL INTERPRETATION ON THE RUSSIAN SCREEN | Abstract |
| Andrey M. Lesovichenko | ||
| No 13 (2022) | CHILDREN'S THEME IN THE PIANO WORKS OF CHINESE COMPOSERS | Abstract |
| Hongyu Pan | ||
| No 3 (2014) | COMPUTER MUSIC IN THE TEACHER-MUSICIAN TRAINING | Abstract |
| Irina B. Gorbunova, Anastasia A. Pankova | ||
| No 10 (2019) | DIGITAL ACCORDION AS A MEANS OF CREATING AN IMMERSIVE AUDIO ENVIRONMENT IN THEATER SPACE | Abstract |
| Natalya N. Petrova | ||
| No 12 (2021) | DIGITAL MUSICAL POST-FOLKLORISM : TO THE PROBLEM OF THE CHARACTERISTICS OF THE PHENOMENON | Abstract |
| Irina B. Gorbunova, Svetlana V. Mezentseva | ||
| No 10 (2019) | DIGITAL SOURCES FOR MUSIC ACTIVITIES OF CHILDREN WITH CEREBRAL PALSY IN INCLUSIVE SCHOOL | Abstract |
| Darya A. Semenovа | ||
| No 4 (2015) | ECOLOGY OF FILM SOUND: FROM AUDIOVISUAL IMAGES TO AUDIOVISUAL SIMULATIONAL SOUNDSCAPES | Abstract |
| Anton A. Denikin | ||
| No 12 (2021) | EMOTIVITY AS A METHOD OF FORMATION A COMMUNICATIVE PERSONALITY (ON THE EXAMPLE OF A NON-VERBAL ARTISTIC DISCOURSE) | Abstract |
| Polina S. Volkova, Victor I. Shakhovsky | ||
| No 4 (2015) | FEATURES OF MINIMALIST MUSIC FUNCTIONING IN FILMS | Abstract |
| Julia V. Mikheeva | ||
| No 3 (2014) | FILMMUSIC: THE THEORY OF TECHNOLOGIES | Abstract |
| Alexander V. Chernyshov | ||
| No 8 (2017) | HARMONIZATION OF CONSCIOUSNESS: TO THE QUESTION OF ART THERAPY | Abstract |
| Polina S. Volkova | ||
| No 2 (2013) | ICONOGRAPHY AND GESAMTKUNSTWERK IN PARSIFAL’S TWO CINEMATIC SETTINGS | Abstract |
| Marco Alunno | ||
| No 9 (2018) | INTERACTIVE TEACHING THE BASICS OF DIGITAL AUDIO AND MODERN INTERACTION PROTOCOLS OF ELECTRONIC MUSICAL INSTRUMENTS | Abstract |
| Daniel N. Smirnov | ||
| No 2 (2013) | JINGLE: THE SOUNDING SYMBOL | Abstract |
| Maxim V. Bysko, Alexander V. Chernyshov | ||
| No 4 (2015) | L. VAN BEETHOVEN IN SPACE OF CINEMATOGRAPH: THE EXPERIENCE OF RE-INTERPRETATION | Abstract |
| Polina S. Volkova | ||
| No 5 (2015) | LES MISÉRABLES IN THE MEDIA: AN ESSAY IN FOUR PARTS. Part I. Very Successful Performances: from Kitsch to artistic potential | Abstract |
| Sergio Miceli | ||
| No 7 (2017) | LES MISÉRABLES IN THE MEDIA: AN ESSAY IN FOUR PARTS. Part II. Les Misérables from radio to non-musical cinema | Abstract |
| Sergio Miceli | ||
| No 8 (2017) | LET’S PLAY BALL — MUSIC PLACEMENT AND MEDIATED SPORTS | Abstract |
| Nicolai Jørgensgaard Graakjær, Rasmus Grøn | ||
| No 4 (2015) | "LITTLE TRAGEDIES": THE POLYPHONY OF MUSIC, WORDS AND VISUAL IMAGERY | Abstract |
| Julia E. Nikolaeva | ||
| No 12 (2021) | MEDIAMUSIC OF POLITICAL PROTEST | Abstract |
| Alexander V. Chernyshov | ||
| No 1 (2012) | MEDIAMUSIC ORIGINS | Abstract |
| Alexander V. Chernyshov | ||
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