| Issue | Title | |
| No 6 (2016) | SOME FEATURES OF PERCEPTION OF SCREEN SOUND | Abstract |
| Vitaly F. Poznin | ||
| No 11 (2020) | SOUND SCORE IN THE EISENSTEIN HOLLYWOOD SCRIPTS FROM THE POSITION OF DIEGESIS | Abstract |
| Dmitry Bakirov | ||
| No 1 (2012) | SOUNDS OF MODERN TALK AIR | Abstract |
| Maxim V. Bysko | ||
| No 6 (2016) | TABLET (MOBILE) TECHNOLOGY FOR PROFESSIONAL MUSIC EDUCATION | Abstract |
| Irina B. Gorbunova, Maria S. Goncharova | ||
| No 11 (2020) | THE EVOLUTION OF MULTICHANNEL SPATIAL SOUND REPRODUCTION SYSTEMS | Abstract |
| Daniel Smirnov | ||
| No 2 (2013) | THE MODEL FOR DIEGETIC ANALYSIS OF SOUNDS IN SCREEN MEDIA | Abstract |
| Anton A. Denikin | ||
| No 9 (2018) | THE MUSICAL DESIGN OF THE FICTION TV SERIES | Abstract |
| Alexander V. Chernyshov | ||
| No 10 (2019) | THE POLITICAL MEDIA-CARTOON | Abstract |
| Maxim V. Bysko, Alexander V. Chernyshov | ||
| No 8 (2017) | THE SOUND OF CINEMA: TECHNOLOGY AND CREATIVITY | Abstract |
| Vitaly F. Poznin | ||
| No 9 (2018) | THE USE OF SOUND FOR FORMATTING FILM TIME AND SPACE | Abstract |
| Vitaly F. Poznin | ||
| No 3 (2014) | THEORETICAL ASPECTS OF FILMMUSIC STUDY | Abstract |
| Tatiana K. Egorova | ||
| No 13 (2022) | TRADITIONAL MUSICAL CULTURE OF THE CELESTIAL EMPIRE IN THE CONTEXT OF ANIMATION AND CINEMATOGRAPH : THE EXPERIENCE OF COMPREHENSION | Abstract |
| Zizhan Chen | ||
| No 11 (2020) | VIAN'S "FROTH ON THE DAYDREAM" AS A KEY TO THE MUSIC IDEAS OF DENISOV | Abstract |
| Youwei Wang | ||
| No 9 (2018) | VISUAL INTERPRETATION OF MUSIC IMAGES IN CARTOONS | Abstract |
| Andrey M. Lesovichenko, Elena A. Shefova | ||
| No 13 (2022) | WHO NEEDS THIS RADIO TODAY? | Abstract |
| Maxim Bysko | ||
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